久别重逢的同窗聚会，让年少有过纠葛的程黎与学霸周之言再度相遇，过往青涩的情愫与误会层层翻涌，旁人的调侃与旁人的靠近，不断拉扯着两人的关系，一场意外的醉酒纠葛，彻底打乱了彼此平静的生活，再度相遇的职场交集，让两人褪去年少懵懂，在试探与别扭的拉扯中，慢慢直面藏在心底多年的真心。

新垣结衣在上海拍摄的心情短剧。新垣结衣一人分饰两角，讲说她独自到上海旅行，偶遇与自己长相一模一样的女生

我们的相遇，是如此的无奈和不舍，离你近了，便是离痛苦近了，离你远了，便是离幸福远了。

The fear of being overwhelmed by the outside world can almost litterally make you lose your head...

A diary film about a relationship between a man (Alain Cavalier) and a woman, told entirely through voice-overs by the two participants, spoken over largely static images (of household objects, animals, parts of the body, rooms, landscapes etc.). At times an emotional direction emerges (an articulation of love, loss, frustration), then it retreats. At times the film seems to be about its own making; at others it seems merely to drift. Imdb Review: Alain Cavalier's latest film is deceptively simple and yet revolutionary because it seems to stand outside the boundaries of narrative and documentary filmmaking. One could describe "La Rencontre" as a cinematic diary--a home movie that documents the filmmaker and his muse during the course of their relationship. But unlike most movies the human subjects here are never photographed in whole, just partially. This brave new work is as much about Cavalier's object of desire, that is, his lover as it is about the medium that gives expression to his love. It is conceived as one part confessional and one part discourse on the metaphysics of love and cinema. The cinema, for Cavalier, is like a two-way mirror that records images while reflecting those images back onto itself. Subject and object appear to mirror each other's identity until they assume new personae in the process. The immediate challenge for Cavalier, then, is cinema's objective gaze: the ability of the camera to record the physical nature of reality. But Cavalier's chief interest is just the opposite. He wants to demonstrate the possibility of a new cinema: one that evolves out of concealment and subterfuge. This cinema deemphasizes the human landscape and dislocates the image from its voice. It focuses inward rather than outward, and chooses to explore the intangible and the abstract over the tactile and the concrete. Appropriately, Cavalier's cine-diary unfolds like an open book: his twin loves (muse and cinema) are illuminated through a series of tableaux filled with close-up objects which are brought vividly to life by the imagination and the transfigurative power of the cinema. It is as if these everyday objects have become the lovers' collective memories saturated with the emotions and energy of life. In short these objects have assumed a life of their own becoming humanized and perhaps immortalized in the process. After all isn't this precisely the paradox of cinema--the ability to resurrect inanimate objects, to bring them back to life at 24 frames per second?

富家千金江语黎因家道中落，被迫流落偏远落雪村，初遇孤僻少年陆惊野便冲突不断，还意外被迫同住一屋。相处中江语黎发现陆惊野竟是儿时孤儿院承诺守护她的小哑巴。陆惊野深藏身世秘密，暗中帮她查清父亲被苏家陷害破产的真相，默默为她挡下危机。历经误会、分离与重逢，两人解开所有心结，携手扳倒恶人，在落雪村相守圆满。

18线模特姜青黎为天价分手费接近薄家薄靳竹，表面乖巧深情，实则日夜盼分手拿钱跑路。三年期满，薄爷却识破她的算计，不仅拒分手，还将她困在身边。姜青黎摆烂反抗，薄爷却越陷越深。这场甜虐博弈，谁才是赢家？

校花黎幸为了凑齐外婆的手术费，在网上做起了定制女友的兼职，一次偶遇，黎幸与恶名昭著的京圈太子爷楼崇产生了交集，在楼崇天生坏种、步步诱逼、强取豪夺的名声背后，却是深藏多年的深情，黎幸也心甘情愿的一步步踏入了他的金丝笼中。

该短剧改编自:番茄小说《说好协议结婚，他怎么入夜就上瘾》，作者:【种一颗星】。清冷矜贵的贺南序得知暗恋多年的周初黎恢复单身，当晚便求婚。周初黎以为两人因逼婚无奈结合，后来惊觉贺南序暗恋自己十年，且一直处心积虑上位。

婚礼前，孟黎意外撞见未婚夫赵斯年和前女友沈薇约会，毅然取消婚礼，决定主动接近傅妄。自此一段充满危险，却又甜蜜的关系悄然滋生。孟黎本以为运筹帷幄，自己是最高端的猎人。浑然不知，所谓的一切偶遇巧合，都是傅妄的蓄谋已久和精心安排。而她，才是傅妄势在必得的猎物。