独眼汉拉斐尔和母亲住在一起，负责看护一座庄园。自从庄园主去世后，他都过着平静的生活，照顾年迈的母亲，满足女邮差的某些需求，参加乐队的排练和表演。他年近六旬，身材魁梧，他知道自己让人害怕，所以不曾有过任何奢求。但女继承人加朗丝回到庄园的那天晚上，一切都改变了......（華堅馮力士）

故事由 Anaïs Tellenne 撰写，围绕拉斐尔这个角色展开。他年近六十，双目失明，体格魁梧，他很清楚人们都怕他。他和母亲住在一栋独立式住宅里，这栋住宅位于一片广阔的庄园中，他负责看管庄园。自从主人去世后，他一直过着平静的生活，但一天晚上，当他们的继承人 Garance 回到家时，一切都改变了……

Okinawa has a history of colonization by Japan and now by the United States with its military base located there. In Chikako Yamashiro’s Mud Man, the World War II battle is revitalized in the memories of the dead/sleeping people in the mud by a drop of bird shit. Awakened, they start to recognize the voices in the air, resonating with those of the Korean Jeju Island with which they share a historically traumatic experience. The vibration of hands clapping leaves the hands and reaches the ears where it is perceived as sound. The drifting sound is embodied by moving images. The “people of the soil” are people of the remnants that appear as if in a dream in the instant of the vibration of sound.

Alex is posing. An old lady is sculpting. It would be a normal situation. If the lady was not blind and only had her hands to see.

Kazi是一个60年代晚期，住在东巴基斯坦偏村的医生。在中年时，他扬弃了年轻以来的世俗与西化生活方式与拥护伊斯兰的奴性，变得爆怒与自己的妻子Ayesha越来越有距离，他的儿子Anu与有着引人担忧病情的小女儿Asma，他却没用医药与非来自穆斯林的诊所治疗，反而是用家族秘方法──需为蠢行付出很大代价的那一种。

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

农业技术人才陈峰舍弃高薪岗位，返乡潜心钻研种植技术，无偿帮扶村民发展产业，带领全村实现收入大幅增长。奈何成果遭人觊觎，被乡邻集体排挤驱离。他坦然放下过往，奔赴淳朴村落，凭借专业知识勘测土地，搭建培育基地，躬身实干开启全新的乡村创业之路。

胜利家有四个女儿，因家里承包地引发诸多风波。大老板欲租地建厂，老三明月冲动伤人，土地被迫对外承包。大姐明娟夫妻觊觎地款，拿钱买房却遇上烂尾楼，负债缠身。二姐明慧与丈夫刚子失去土地后另谋生计，收入可观并顺利怀孕。老三照料冯老板日久生情，组建家庭育有子女。老四小娜与小鹏恋情遭家人反对，小鹏外出打拼小有成就后归来，二人终成眷属。

农业技术人才陈峰舍弃高薪岗位，返乡潜心钻研种植技术，无偿帮扶村民发展产业，带领全村实现收入大幅增长。奈何成果遭人觊觎，被乡邻集体排挤驱离。他坦然放下过往，奔赴淳朴村落，凭借专业知识勘测土地，搭建培育基地，躬身实干开启全新的乡村创业之路

青年乡村规划师宋明凯返乡过年，祖传宅基地被村民赵满仓觊觎。对方勾结族长、煽动邻里孤立施压，强行谋夺祖产。 宋明凯不卑不亢，凭专业能力调取档案、固定全套铁证，查实对方违建事实，助力执法部门严惩违法人员。后续盘活闲置地块，打造便民公益设施，法治护家，振兴乡村！