Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, this is the untold history of black Americans in Hollywood through their connection to the horror genre.

马克揭露了他最喜欢的年代——20世纪50年代和60年代的电影背后的故事，这激发了他毕生对恐怖的热情。这些主要是英国电影，由传奇的汉默电影主导，他改写了恐怖的规则，以革命性的注入性和全彩的血腥——所有的镜头都在英国本土拍摄。

Three-part series in which actor and writer Mark Gatiss (The League of Gentlemen, Doctor Who, Sherlock) celebrates the greatest achievements of horror cinema. Mark uncovers stories behind the films of his favourite period - the 1950s and 60s - which fired his lifelong enthusiasm for horror. These mainly British pictures were dominated by the legendary Hammer Films, who rewrote the horror rulebook with a revolutionary infusion of sex and full-colour gore - all shot in the English Home Counties. Mark meets key Hammer figures to find out why their Frankenstein and Dracula films conquered the world, making international stars of Christopher Lee and Peter Cushing. He looks at the new boom of horror that followed in Hammer's wake, including the ravishing Italian movie Black Sunday, and talks to the influential American producer Roger Corman about his disturbing and dreamlike Edgar Allan Poe films. He also explores the intriguing cycle of British 'folk horror' films, such as The Wicker Man and Mark's personal favourite, Blood on Satan's Claw. Mark also speaks to leading horror ladies Barbara Steele and Barbara Shelley about their most famous roles, makes a pilgrimage to Whitstable, home of Peter Cushing, and finds out why Dracula's bedroom activities got the British censor steamed up.

Presents together six horror stories from Black directors and screenwriters in a single film: "Daddy," "Bride Before You," "Brand of Evil," "The Lake," "Sundown" and "Fugue State".

Sarah, a pagan high school student, is sexually assaulted. In an emotional felt revenge, she summons the likes of Freddy Krueger, Ghostface, Jason Voorhees, Michael Myers, and other horror movie icons to kill her peers.

本片探讨了民俗恐怖这一主题，以迈克尔·里夫斯的《驱魔降邪》（1968）、皮尔斯·哈格德的《撒旦之鸦》（1971）和罗宾·哈迪的《异教徒》（1973）为起点，民俗恐怖文化经历了 1970 年代在英国电视上的扩散，以及在美国、亚洲、澳大利亚和欧洲恐怖片中的特定文化呈现，直到过去十年该类型又经历了复兴。本片涉及 100 多部电影和 50 多位受访者，调查了我们自身试图在我们的环境中寻找精神共鸣，或庆祝、或掩盖、或操纵我们自己的历史的多种方式。

伊莱·罗斯自己的恐怖电影拍摄纪录片。