讲述一男一女的故事：男的来自香港——中国的南部，说广东话；女的来自札幌——日本的北部，说日本语。虽然两人来自不同的角落，却在东京邂逅相识，并且因为同一个念头：“希望可以在天安门前拍摄一张照片"，两人便一起离开了东京，向北京出发，在两人途经香港时，却遇到了令人意想不到的“突发事件"，这些意外的经历又带领他们走向不同的方向……

秦岭遭遇连日暴雨，大地接连震动，周边村落频遭青鳞赤瞳的变异野兽袭击，恐惧在山野间蔓延。隶属 749 局的王牌探员李灼身负哪吒莲花血脉，性情刚烈，奉命前往追查异象。过程中，他意外识破日本阴阳师暗中破坏华夏龙脉的阴谋。面对凶险的东洋邪术，李灼不惜燃尽自身本源，化作救世火莲稳固即将崩塌的地脉，以无畏战力斩杀外敌，最终唤醒护国真龙，守护一方山河安宁。

少女苏婉雯出身贫寒，在楼梯口摆摊卖香烟以补贴家用。纨绔子弟杨君仁贪恋苏婉雯的美貌，常借买烟的机会接近她，然而苏婉雯不为所动，反而与夜校同学王和桂相互关爱、彼此帮助。苏婉雯的父亲失业后，她急需找工作，杨君仁趁机聘请她为秘书，在办公室里肆意对她进行调戏，苏婉雯愤怒地辞去了工作。杨君仁利诱不成，恼羞成怒，派人捣毁了苏婉雯的烟摊，还将她的父亲殴打至重伤住院。苏婉雯为了筹措医药费，不小心落入了杨君仁设下的圈套，被困在郊外别墅，幸好王和桂和他的友人听闻消息赶来相救，苏婉雯最终安然脱险。 导演：罗志雄 编剧：罗志雄 演员：张瑛、白茵、吕锡贵、黄曼梨、林坤山、王爱明、陈惠瑜、马笑英 类型：剧情 地区：中国香港 上映日期：1960年05月05日 制作/发行公司：新联影业公司

A man tricked into enlisting in the Confederate army is later thrown into a hellish stockade on desertion charges. He eventually breaks out of the prison camp, reunites with his old partner and sets out to kill the man who was responsible for his being in the camp in the first place. However, after accidentally killing a Confederate officer, he finds himself pursued by a gang of vicious bounty hunters intent on collecting the reward put up by the dead officer's widow.

Ray is the adopted child of Alan, a drug dealer. He has to take over the drug business after his father was brought down by Lang. Both of them must fight with each other for stealing customer and business. Danthai, a great policeman of Crime Suppression Division, disguised himself to live in Ray's group because he needs to catch the leader. While the battle has been proceeding, there is another one who is like a pure pearl, that is Janenate or Jin Li Ju who is non-blood sister of Ray. She was protected by Ray the whole time. He doesn't let her to be in the illegal business but Ming Ter supports her to be the leader for protecting of group benefit.

1931年，震惊中外的"九·一八"事变爆发了，武林志士华志强在母亲惨遭日军杀害后，他与恋人张小叶逃离故土。途中，两人失散。小叶逃至北平，避难于姨夫魏辛家里。魏辛早已不好汉奸，在坂田手下任翻译。坂田公开的身份是使馆外交官，实质则为日本的间谍，他专事组织绑架、暗杀我抗日志士的罪恶活动。此时，坂田特意安排其子、日本武士小次郎来到北平，与中华武馆杨馆长比武，妄想借此机会征服中华武术界。但坂田深知杨馆长武功高强，遂暗派杀手在芦沟桥上行刺。幸亏乔装车夫的华志强相救，杨馆长才安危脱险。小次郎对父亲的作法十分不满，他要以公平比武的方式打败杨馆长。坂田无奈下只得派魏辛到武术馆下战书，约定第二天比武决胜负。次日，中日双方在天坛摆开擂台，进行一场生死的较量。杨馆长武功超群，小次郎只有招架之功，尔后，杨馆长佯装失手，鸣锣收兵。是夜，坂田终于毒死杨馆长。正当坂田在公馆内举杯庆贺时，华志强突然闯进来为师傅报仇。坂田举枪欲杀死华志强，被小次郎阻止。小次郎要与华志强单独决斗，然而，交手只几个回合就被华志强击败。小次郎面含羞愧决意回国去苦练忍术，待来日再与华志强一决输赢。坂田为了报复，唆使忍者去砸了中华武馆，华志强拼搏逃出，又被忍者追杀至黄河岸边。他情急下毅然跳入黄河，被船家女虎妞搭救脱险。华志强从此在黄河的激流中，练就出一身绝技。不久，小次郎重返中国。他们在黄河边相见，两个约定9月18日以长城为擂台，一决雌雄。小次郎运用忍术，步步紧逼华志强。而华志强怀着低外侮、抗强暴的决心，凭借中华武功的绝技，终于打败了小次郎。这时，坂田突然下了毒手，华志强倒在坂田的枪口下，而象征中华民族脊骨的长城，巍然挺立。

Leave it to Italian sleazemeister Andreas Bianchi (here co-directing with his brother)to take a brutally violent and borderline misogynist genre like the Italian "polizieschi" and actually up the ante considerably. This movie begins with drug dealers trying to smuggle drugs into Italy sewed up in the body of a dead child(!), and it only gets more gratuitously violent from there. A brutal gang war is going between a traditional Italian mafia family and an Americanized godfather who has been deported back to Italy. Injected into this conflict is another Italian-American gangster, the protagonist (Henry Silva), and he begins to play the two rivals off against each other in the style of "A Fistful of Dollars" or "Yojimbo". Silva's character might seem like the good guy, or at least the kind of anti-hero Clint Eastwood played in "Fistful" and other Westerns (and later in "Dirty Harry" which was a big influence on the Italian polizieschi). But the Silva character himself is quite psychotic when it comes to women, specifically the masochistic prostitute/mistress of the American gangster (played by Barbara Bouchet). The first time they meet he violently sodomizes her. And when she comes back for more he beats her with a belt. Now I have to admit the description I read somewhere of a naked Bouchet being whipped by a belt did not exactly dissuade me from seeing this, but it's not an accurate one. She is not naked (at least in that scene) and he literally beats her to a bloody pulp. Even her boyfriend, who otherwise is content to throw the promiscuous girl at his erstwhile partner, is horrified by the brutal beating and vows revenge. This scene squanders any goodwill toward Silva's character (which may have been the intention, I don't know), but also toward the film itself--it's pretty hard to take even for someone like me accustomed to the casual misogyny of the genre. It certainly doesn't help that the actress is Barbara Bouchet, who along with Edwige Fenech and Rosalba Neri, was (and still is) one of the most popular European exploitation actresses of the era (although this probably would have been only marginally more palatable if it had been some anonymous Euro-bimbo). To its credit this movie at least can't be accused of glorifying any of its gangster characters like some other "polizieschi" tended to do. Still it might be a little bit too much for many viewers.