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SAVE THE GAME, which meticulously and ingeniously documents the history of Korean PC games from the rise of personal computers in the 1980s to the present, can be seen as a sequel to director Park Yoonjin’s previous work, People in Elancia (2020). While the earlier film observed trends in the gaming industry through the affectionate perspectives and dynamic activities of the players of the RPG game ‘Elancia’, SAVE THE GAME focuses on the history of the Korean gaming industry through the testimonies of industry professionals and historical materials. It is a clever and scrupulous documentary that systematically organizes the stories of the first-generation game developers, and summarizes the historical flow by varying the content of the introductory captions of these living witnesses of the Korean game industry.

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“为了确认还活着的事实而写下文字”。允秀感到不安，问道“一定要填满吗？就这么空着怎么样？”恩京也深陷不安，“有时候我觉得自己就像小说里的角色”。智元审视着不安的另一面，“不安会侵蚀灵魂吗？”珠熙紧紧抓住不安。允秀（金权后 ）、恩京（李泰京 ）、智元（朴钟焕 ）、珠熙（具在恩 ）这些各自怀揣着不安生活的人，在错综复杂的关系中艰难地生存着，虽不安却也只能如此。

进步阵营中有个极具争议却不再被深入探讨的问题，即李锡基内乱阴谋事件，下面来探寻它如今的意义。电影围绕统合进步党的解散，引出了不同的想法与立场、舆论与虚假信息、宪法与民主主义，还引发了韩国社会对朝鲜的重新思考。我们真正错过的究竟是什么呢？