A young girl appears in different spaces each day. These spaces manifest in various forms according to the girl's emotions. One day, she meets a fish living in that space and begins to follow it.

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穆来洞（Mullae dong）是视频拍摄地，在1910 - 1945年日本殖民时期这里是纺织工业区，据说其名字来源于纺织工厂区的“纺车”（韩语“Mulle”）。20世纪70 - 80年代，在军政府统治下穆来洞繁荣一时。如今，穆来洞作为首尔仅存的钢铁工业区，勉强维持着生存。自20世纪90年代以来……

A young girl without friends is always alone. One day, the dandelion puffs she was holding were blown to someone's house by the wind. A child who discovers a dandelion shows her friends but is ignored. So, she copes with her loneliness by befriending a black cat she meets behind a house. Plants are interesting in their ambivalence because they can be as beautiful as flowers and ugly as mold simultaneously. Still, the film focuses on plants’ passive ability to sway in the wind. Just as windows are portals through which cats can reach inside and outside worlds, spores are the connection between life and death. Humans who know how to pay attention to items as small as spores give them soil, water, and sunlight. Humans need not face but the ability to offer their bodies to the wind, like plants, the main character. It’s a story that focuses on a life of growth, a whole development within a city. (LEE Bora)

An upstairs couple visits their downstairs neighbor because of noise. When they request the downstairs neighbor to turn down the noise, the downstairs neighbor rejects. As they continue talking, unable to find a compromise, the downstairs neighbors start to show strange behaviors.

桑浩是典型的传统韩国大家长。在他出院当天，他的妻子、女儿和女婿都对他回家一事忧心不已。这是一则对家庭生活细致入微的刻画，同时也是资深明星明凯南的精彩演绎之作。

A man who studies Mongolian history enjoys happy life with his wife. But one day after the president declares martial law, he loses his wife in a sudden accident. Struck by the immense shock, he loses his ability to speak. Now, the man must find his voice again in order to speak with the spirit of his departed wife.

A couple on the brink of breaking up decide to spend one last day together to resuscitate their relationship until sunrise at an inn on the East coast. With just 15 minutes left until sunrise, they wait—perhaps for a breakup or the end of the world. This minimalist film, set in a confined space and filled with close-ups of the two actors, tells a story about light.

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