2026韩国纪录片·短片
Interpreting the sequential drawings in Nam June Paik’s print reveals messages about communication through telecommunications technology and peace. In Frame on Color Bar, these images are reproduced on a 16mm film strip and set in motion, while AI on Frame reinterprets the work through AI. Juxtaposing the two films reveals moments of error in the technological interpretation and transmission of images. Frame on Color Bar x AI on Frame (2026) traces the transformation of media from drawing and print to film, video, and AI, prompting reflection on cinema and the history of image reproduction.