Director Yeo Hong, who dreams of becoming the second Bong Joon-ho, and actor Joo Yeon, who dreams of becoming star are contacted by a film festival.

교외의 편의점에서 일하는 70대 여성 정순. 　　사장은 정순의 허리가 좋지 않다는 이유로 휴직을 요구한다. 　　일자리를 잃을 위기에 처한 정순은 아픈 허리에도 무리를 하면서 사장이 가지고 오라고 부탁한 무거운 박스를 직접 짊어지고 걷기 시작한다.

Two women lead the funeral of Jinrye, matriarch of Korea’s longest-running family of Pansori masters with a history spanning 300 years. 　　Her daughter, Chae-seon, is celebrated as the greatest master of our time and the guardian of the Pansori tradition, and the person standing beside her is the successor of the family heritage, So-ryeon, who dreams of a path that diverges from the family legacy. 　　The one who enjoys the glory created by the ancestors and the other one who seeks to escape the curse of the ancestors. 　　Finally, the different songs from each of them begin to resonate.

Yeonseok, the head of a household, suffers from insomnia. The cause of his insomnia is the monster under the couch. People around him laugh, dismissing it as a nightmare that only children would fear. Even Yeonseok is unsure whether the monster is real or just a figment of his imagination. Then one day, Yeonseok comes face to face with the monster under the couch.

Taesan and Dongju are a long-time couple. As they prepare to move, they find an old sofa on the street and bring it home. Their cramped apartment, now filled with the sofa, the couple preparing for their move, and their dreams, are depicted with an air of detachment. The film captures their emotions with a unique rhythm, floating in the air.

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