Anchan and Deokwoo are inseparable friends, one helping the other approach girls and write love letters. Yet their feelings are drifting in different directions. This teenage romance movie delicately unfolds the narrative of “you don’t know how I really feel” with a sense of calm and tenderness.

暂无剧情简介

혜주는 남편과 함께하는 결혼 생활이 너무 지루하고 권태롭게 느껴집니다. 다행히 일주일에 세 번 있는 요가 수업이 지루한 일상을 벗어날 수 있는 유일한 수단이 되었습니다. 그런데 새로 온 요가 선생 안나가 수상하게 느껴지기 시작합니다. 혜주는 안나를 피하려고 노력하고 신경 쓰지 않으려고 하지만, 마음이 제멋대로 되지 않습니다. 이로 인해 혜주는 자신의 감정에 대해 점점 더 혼란스러워지게 됩니다... 翻译：惠珠觉得和丈夫一起的婚姻生活非常枯燥和乏味。所幸每周三次的瑜伽课程成了摆脱枯燥日常的唯一途径。然而，新来的瑜伽老师安娜开始让人感觉可疑。惠珠试图避开安娜，努力不去在意她，但心却不听使唤。因此，惠珠对自己的感情越来越感到困惑……

SYNOPSIS In order to realize her dream of studying abroad, Ja-ie agrees to marry Kang Kuk, the son of Chairman Sohn of a conglomerate group. Jang Tae-ho, who actively advocated the marriage, feels passion for Ja-ie so he rapes her at a farewell party. When she arrives in America, Ja-ie discovers her husband is impotent and that the marriage is a sham. However, Ja-ie is pregnant with Tae-ho's baby. She accepts this as her fate. Ja-ie gets treatment for Kang Kuk and gives birth to Ho-ma. Chairman Sohn tries to get rid of Ja-ie by contracting gangsters in the United States. Ja-ie decides to have her revenge on Chairman Sohn and Tae-ho and returns to Korea. Chairman Sohn regrets his past and holds out a hand of reconciliation out to Ja-ie but she pulls the trigger as hot tears roll down her face. 故事 这种材料太昊张考生儿子结婚的权力和企业集团的包裹交给总统，并安排婚姻积极实现出国留学感到愤怒感情的告别聚会再次感觉到了。再抵达美国知道，这是知道它是虽然同性婚姻欺诈重地。但它会导致其接受的命运，奠定了霍马治疗重地孩子魔门太湖JAI材料。手主席由美国黑帮的再动员，并重新确定其多个指针总统和太湖，回到自己的祖国消除它。手总裁和解研讨会，流下了热泪的手又心软了失误，拉手枪的扳机。

从小在同一孤儿院长大的基주和东善，结下了超越兄弟的友谊。他们努力摆脱过去一起混的不良分子，但最终还是意外卷入一场打斗，基주因暴力罪入狱。东善的妻子允静不满丈夫把基주妻子惠兰和女儿当作自家亲人般照顾，认定丈夫与惠兰有不正当关系后开始放荡生活。东善偶然间杀死了和妻子厮混的不良分子后被追捕，惠兰帮他躲藏起来。基주出狱后，允静从中挑拨，愤怒的基주欲报复。惠兰在基주面前选择自杀。一直因曾与惠兰有过一段密会而饱受罪恶感折磨的东善，也追随惠兰而去……

전여자친구도윤이사이비에빠졌다는사실을알게된지민.지민은도윤을구하기위해사이비에빠진척한다.

2014年，一位父亲发来邮件，因自己即将失明，他请求女儿代他完成《满洲游记》这本书。女儿大勋（Da - hoon）对此请求心情复杂。2015年1月，她带着父亲的手稿，仿佛那是父亲的遗愿一般，与父亲一同前往满洲。在完成恢复韩国历史的手稿过程中，她逐渐理解了父亲。

Produced by Seoul Visual Collective, one of the leading Korean independent film productions, is a penetrating look at Korean independent filmmaking today. This documentary unfolds diverse voices and views within the independent filmmaking community, as it questions the past, the present and the future of Korean independent film. Are they happy when making films? How do they define independent film? Why do they still retain independent filmmaking today as things have been changed politically and aesthetically? what is their hope and despair? Incorporating archival footage and interviews into the director's own reflections, redefines Korean independent cinema which emerged as negation of status quo about twenty years ago and has continued its search for renewed gaze to the world. What the independent filmmakers have paid attention to is people's lives where various conflicts draw a front line. On the front filmmaking is also a struggle, tears, sympathy and hope itself. viewing from unquestioning mind, the front can be a mere marginal place. However, from the very moment when resistance takes place in every life, it becomes a center of the world. What the filmmakers see is a new center already existing and ever-growing in the marginalized lives. As the documentary covers diverse filmmakers of different generations and areas, we see the beliefs and self-reflections of the independents, as well as an account of dilemmas that filmmakers face. Kim Dong-won says that his life was entirely changed by making Sangkye-Dong Olympics, a documentary about evacuated homes because of Seoul Olympic Games. Sin Myung-wha looks at a distance with her wastery eyes, saying "I'm trying not to think of anything right now" when she faces the death of Mrs. Kang Duk-Kyung, former comfort woman during World War Ⅱ and collaborator on her documentary project. Lee Yong-Bae dreans to be forever with the spirit of 'Changsankot-mae', now dissolved filmmaking group. Nang Hee-Sub, one of the founding members of Independent Film Association, negates himself as not qualified for an interview. Kim Myung-Jun wishes to build good world where he can spend his life fishing. And there is Hong Hyung-Sook, the director of this documentary, observing them. is a critical look at a proud film community looking to build solidarity and new direction. 1997, digital & Betacam, 64 min invited to 2nd Pusan Int'l Film Festival invited to 10th Int'l Documentary Film Festival Amsterdam invited to 28th International Forum of Young Cinema in 48th Berlin Int'l Film Festival

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