In Mecca of Korean indie music scene, Hong-Dae street, indie musicians have been kicked out from their ground. Nowhere to perform. They seek an opportunity to correlate with Doo-ri-ban, a noodle restaurant, facing a difficult situation just like them.

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今年秋季一部《午夜灵异录像》（Paranormal Activity）以一万多美元的超低成本在北美取得了一亿多美元的票房回报，让人啧啧称奇。眼下该片导演Oren Peli已经和派拉蒙公司再度签约，将让他们继续来发行自己的新片《51区》（Area 51）。 和《午夜灵异录像》一样，《51区》也是超自然惊悚片，不过其成本已经大幅攀升到了500万美元，尽管和别的影片比起来仍然属于低成本，但这已经是其前作成本的百倍了。《51区》讲述的是3个青少年受好奇心驱使溜进了位于美国内华达沙漠内利斯空军基地俗称51区的地方，外界盛传美国军方在这里掩盖了外星人存在的证据。 据透露，派拉蒙是在前不久的美国电影市场展会上达成这一协议的，他们将联合Incentive电影娱乐公司和Aramid娱乐公司，为这部《51区》及可能的续集提供高达七位数的拍摄资金。目前《51区》已经拍摄完毕，正在进行后期制作，预计明年就能和观众见面。另外，完成该片后导演Oren Peli还将为派拉蒙制作《午夜灵异录像》的续集。

神秘的51区，因与高科技以及外星人紧紧联系在一起，所以数十年来始终是人们倍感好奇的一个所在。21世纪的某天，军方迫于美国民众的压力，决定首次将51区对外开放。不久，媒体人山姆·惠特克（约翰·西亚 John Shea 饰）和克莱尔·法伦带着各自的团队来到位于51区的美军基地，而负责充当向导的罗纳德·马丁上校如临大敌，他不仅要让这几个记者感到空前的透明和震撼，还要竭尽全力保住军方最为紧要的秘密。与此同时，51区关押着一个25年前抓获的外星人，代号“0号病人”，他可以幻化成任何人的模样，并模仿对方说话。就在51区对外开放的这天，0号病人伺机逃出了牢房…… 本片为syfy电视台拍摄的电视电影。

Thomas (Juliano Mer) and his sister Mariana (Semadar Kilchinsky) have arrived together in Tel Aviv and set up housekeeping in the sleazy side of the city. Thomas makes his money as a "kept man" for two different women who are nightclub entertainers. At the same time, he attracts the attentions of an amorous transvestite. His unnatural love for his sister goes unexpressed, but his jealousy cannot be controlled. If his sister wants to lead any sort of a normal life, it will be up to her to break her dependence on her brother and move on. The films of Hungarian born Amos Guttman, who died of AIDS in 1993 at the age of thirty-eight, were among the first to depict gay life in Israel, but they did so from such a lachrymose perspective that they often garnered more criticism than praise in many Israeli gay and lesbian circles. In his films the protagonists are hopelessly caught in vicious circles of sexual and emotional exploitation. One could approach Guttman’s thinking in a variety of ways. On the one had, he was the product of a time when homosexuality was repressed and marginalized, so his cinematic response might be seen as entirely logical. To purge Israeli society of its internalized homophobia required an unapologetic look at the potential “monsters” that it had created. Similarly, one finds in Guttman a vision of sexuality that was concerned, not with normalizing gayness within existing social structures, but rather with shattering those structures and substituting alternatives in their place.

An alien creature escapes from a research lab at the infamous "Area 51" determined to hunt down its former tormentors.