Yun Suknam, born in 1939, supported her widowed mother and siblings from a young age. By the time she turned 40, she felt suffocated by societal roles and chose to pursue painting, spending all her money on supplies and refusing to quit. As a first-generation feminist artist, she continues to paint in her eighties, proving that art is about perseverance, resilience, and an unbreakable will.

Rumors spread easily — casually, thoughtlessly, as if they cost nothing. No one stops to ask how the person at the center feels, or whether any of it is true. This film looks critically at those who treat gossip and judgment as entertainment. It also uses a visual metaphor running through the film: rumors spreading like ink bleeding through paper.

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正在准备公务员考试的지희被生活的困境所困扰。为了节省一点生活费用，지희在打工的烤肉店悄悄拿走一些食材，结果一起工作的孟加拉青年아쇼크被解雇了。有一天，지희在店里看到了아쇼크，心中涌起愧疚和怜悯，便提议一起喝一杯。然而，아쇼크的包让지희莫名地在意起来。

标题中的存在主义问题在第一个镜头中就变得十分尖锐：一个蓬头垢面的男人发现自己被锁在公园里的地上，他完全不知道自己是怎么到这儿的，甚至连自己是谁都不记得了。眼前是一片林立的高层公寓，但没有人回应他的求救声。他饥肠辘辘、又冷又累，迫切需要答案。但最终偶然出现的那些人……

Seokhong, seeking a new venture after giving up boxing to support his family, considering entrepreneurship. One day, his father, who suffers from dementia, repeatedly runs away, claiming that aliens have kidnapped his eldest daughter in Seoul's Naksan. Left with no choice, Seokhong embarks on an uneasy journey to Seoul with his father, planning to discuss his father's care with his younger sister.

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The existential question in the title comes into sharp focus in the very first shot: an unkempt guy finds himself chained to the ground in a park—and has no idea how he got there or even who he is. There’s a forest of high-rise apartments in sight, but no-one answers his calls for help. Ravenously hungry, cold and tired, he needs answers. But the people who eventually happen along mostly have questions or demands of their own. One young woman slaps him repeatedly and apologizes. A bride-to-be invites him to her wedding. A Buddhist monk gives him chewing gum and entertains him with a dance. It’s only when a noodle delivery arrives that the man begins to remember—and then to understand…