講述違背母親意願 　　一個男孩和已故父親朋友間的浪漫故事...

Would you fall in love with a person whose voice you haven't heard for months, whose face you haven't touched, you can't smell, you don't even have the chance to pass by the same street, you can't even be in the same photo, who is miles away from you, even by seas, islands and cities

Would you fall in love with a person whose voice you haven't heard for months, whose face you haven't touched, you can't smell, you don't even have the chance to pass by the same street, you can't even be in the same photo, who is miles away from you, even by seas, islands and cities

Mário and Cláudia are going through a divorce process. When Cláudia accepts job in another country, situation will lead parents to reassess many of their certainties and question the effects on the happiness of their children.

42 岁的阳子很久以前就放弃了自己的梦想和生活，她把自己与世界其他地方隔绝，在家做在线客服，从不离开自己的小公寓。当她收到早就疏远了的父亲去世的消息时，她的堂兄强迫她离开房间，与家人一起乘车回家，这是二十年来她第一次回家。然而，阳子最终独自一人留在了高速公路的休息站……没有手机也没有足够的钱乘坐公共交通，阳子别无选择，只能搭车去参加她父亲的葬礼。

42 岁的阳子很久以前就放弃了自己的梦想和生活，她把自己与世界其他地方隔绝，在家做在线客服，从不离开自己的小公寓。当她收到早就疏远了的父亲去世的消息时，她的堂兄强迫她离开房间，与家人一起乘车回家，这是二十年来她第一次回家。然而，阳子最终独自一人留在了高速公路的休息站……没有手机也没有足够的钱乘坐公共交通，阳子别无选择，只能搭车去参加她父亲的葬礼。

托尼（纳萨尼尔·马斯顿 Nathaniel Marston 饰）拥有英俊帅气的外表和非常成功的事业，在外人看来，托尼几乎是一个完美无瑕的男人。数周后，他即将和相恋多年的女友携手步入婚姻的殿堂，人生可谓是一帆风顺。 　　托尼唯一的弱点，就是他是一名百分之百恐同的男人，对同性恋者可谓是恨之入骨避之不及，巧合的是，托尼公司里新来的职员斯蒂夫（汤姆·阿齐迪肯 Tom Archdeacon 饰）正好就是一名同性恋者。这下托尼可逮着了，每天都在对斯蒂夫进行无情的羞辱和嘲笑，并且以此为乐。哪知道在误打误撞之中，托尼竟然出发了圣诞魔咒，他发现自己竟然喜欢上了男人！婚礼还有两周就要举行了，在两周内，他必须找出恢复正常的方法。

黑帮成员Suk-tae见财起意，抢走了黑帮的钻石后逃之夭夭，却因为盲打误撞到了一个荒僻的被称作“时失里”的村落从此销声匿迹。黑帮派出Yang-yi来找寻他的下落，他赶到“时失里”觉得这个村子鬼气森森却不知道Suk-tae藏在哪里。原来村民发现Suk-tae身藏钻石便起了歹意，明明知道人还活着硬是把他埋进了土里，如此还不算，这些看上去善良淳朴的村民还打算向Yang-yi下手。局面已经混乱不堪了，偏偏长居于此的女鬼又跑来捣乱，将Yang-yi折磨得痛苦不堪，在他几近绝望之时才真相大白，原来隐居在时失里的人并不是什么善男信女，相反他们各个是贪婪无耻的坏蛋，而女鬼才是受害者，在女鬼的协助下，Yang-yi与村民展开的搏斗……

Long documentary about the everyday life in Vinh Linh and other villages near the 17th parallel, the demarcation line between North and South Vietnam. This area was bombed heavily bombarded during the Vietnam war, which forced the villagers to live partly underground. The film shows the ingenuity and the determination of the North-Vietnamese people to defend their country and their own land. The shocking but 'clean' images, the pace of the editing (to illustrate the slow pace of life in an agricultural community) and the synchronous sound of the ongoing bombardments in the background, gives this film also cinematographic importance. 　　The war in Vietnam, here filmed from the perspective of the people suffering from the conflict, is the subject of this documentary. Adults and children live and die, and the young are indoctrinated to refer to Americans as "pirates." An American serviceman is captured and paraded through a small village before being sent to Hanoi. The everyday lives of the Vietnamese and their struggles to survive are illustrated without propaganda, allowing the events and the camera to tell their stories. A complex labyrinth of underground tunnels contains homes, hospitals and hiding places from the barrage of bombs and gunfire. 　　Le 17ème Parallele (The Seventeenth Parallel) (1968) sees Ivens using light 16 mm cameras and synchronised sound for the first time, although he is still constructing his films around central characters, bending reality to the camera. But the result is a powerful account, in black and white, of life in the underground villages of the Vietnamese army, farming among the shell holes and watching for in-coming bombs. A downed US airman is paraded through the village, and children learn how to shout “hands up!” in English. 　　http://www.ivens.nl/upload/?p=118&t=2&k=2&film=28&details=ja

監督が長期間にわたって撮影を続ける中国山間部の小さな村。谷を見下ろす小屋の壁には、年月を経て掠れた「〇〇主義が中国を救う」の文字。監督はひとりの少女にその○○部分についての考えを問い、少女は「戦争もしてないのに、国を救う必要なんてあるの？」と問い返す。ある老人は85年に及ぶ自らの半生を語り、一方少女は村の老人たちの似顔絵を描き続ける。この映画が記録するのは、老人たちとともにやがて消えていく記憶、風景の痕跡として残る歴史や経済的衰退だけではない。この小さな村は、厳しい冬の終わりに文字通り鮮やかな色彩に染まる。『自画像：47KMに生まれて』（YIDFF 2017 NAC）の章梦奇監督作品。