“I would like to propose a film that contributes to the concept of work. That compares the work of a traditional society, like in Africa, in an early industrial society such as India, and in a highly developed industrial society, in Europe or Japan. The object of comparison is to be the work in building houses. Houses to live in.” 　　This was written in Harun Farocki’s exposé from 2003 for a documentary project. “After initial research (...) I had the idea of using the brick, its manufacture and its processing as the object of comparison, explains Farocki. “We were looking for a great variety of uses for bricks – and we were looking for manufacturing processes that would possibly do away with bricks.” In India he filmed a brickworks whose threading machine was from the 1930s when Gandhi was organizing the anti-colonialist protest. The installation in northern France was operated by Moroccans who housed in barracks like POWs or forced labourers. In Mumbai apartment houses were built much like they are in Europe. No hand touched the products that came out of the highly mechanized factories in Germany. In Burkina Faso Farocki followed the communal work on a hospital ward and a school building with his camera: “I’ve never in my life been able to observed such a strange process so closely.” 　　The film does without commentary; there are only indications of the places and a few explanations offered in subtitles.

“I would like to propose a film that contributes to the concept of work. That compares the work of a traditional society, like in Africa, in an early industrial society such as India, and in a highly developed industrial society, in Europe or Japan. The object of comparison is to be the work in building houses. Houses to live in.” 　　This was written in Harun Farocki’s exposé from 2003 for a documentary project. “After initial research (...) I had the idea of using the brick, its manufacture and its processing as the object of comparison, explains Farocki. “We were looking for a great variety of uses for bricks – and we were looking for manufacturing processes that would possibly do away with bricks.” In India he filmed a brickworks whose threading machine was from the 1930s when Gandhi was organizing the anti-colonialist protest. The installation in northern France was operated by Moroccans who housed in barracks like POWs or forced labourers. In Mumbai apartment houses were built much like they are in Europe. No hand touched the products that came out of the highly mechanized factories in Germany. In Burkina Faso Farocki followed the communal work on a hospital ward and a school building with his camera: “I’ve never in my life been able to observed such a strange process so closely.” 　　The film does without commentary; there are only indications of the places and a few explanations offered in subtitles.

故事发生在丹麦一个宗教氛围极浓的村子里，农夫波根有三个儿子，大儿子对宗教持怀疑态度，性情叛逆；小儿子居然与不同信仰的女孩谈恋爱，而影片的主角、三兄弟中的老二相信自己就是耶稣，被大家当成疯子，因为本来读神学的他在经历未婚妻离世后打击太大而成疯癫；但有一天老二开始“显灵”，让死人复活，自己的神智也开始恢复。

故事发生在丹麦一个宗教氛围极浓的村子里，农夫波根有三个儿子，大儿子对宗教持怀疑态度，性情叛逆；小儿子居然与不同信仰的女孩谈恋爱，而影片的主角、三兄弟中的老二相信自己就是耶稣，被大家当成疯子，因为本来读神学的他在经历未婚妻离世后打击太大而成疯癫；但有一天老二开始“显灵”，让死人复活，自己的神智也开始恢复。

Single frame exposures of words, color.

Single frame exposures of words, color.

访谈杜拉斯，关于《印度之歌》

「还没看完怎麼能死！」某一天，我意外死在强盗手中，却由於身为书痴的执著而奇迹似地复活……以腊肠狗的外貌复活。为什麼是狗啊！这样叫我要怎麼看书！我正在烦恼时，眼前出现把剪刀当武器的虐待狂──夏野雾姬。这人怎麼看都是个危险分子，可是她听得懂狗语，而且，她的真实身分竟是我最崇拜的作家秋山忍！我今後该如何是好？杀死我的强盗又下落何处？第十二届ENTAME大赏优秀赏得奖作品，悬疑风格的无厘头喜剧！ 由更伊俊介所著、锅岛哲弘绘制插画的轻小说「狗与剪刀的正确用法」TV动画化决定，预定于今年7月开始播放。本作曾荣获第12回Entame大赏小说部门优秀赏，单行本至今已推出了本篇6卷外加短篇集2卷。而由大庭下门负责作画的漫画，已于「月刊少年Ace」2012年7月号上开始连载，单行本已发行了1卷。 本作动画的制作公司确定是GONZO，4月新番「绝对防卫利维坦」以及同样也是7月开播的「有你的小镇」均是由GONZO制作的。出演动画的声优阵容与去年3月推出的广播剧CD一样，也是由樱井孝宏、井上麻里奈、阿澄佳奈、伊藤静这四位知名声优分别出演男主角春海和人、女主角夏野雾……

高中生春海和人（樱井孝宏 饰）是一个不可救药的阅读痴，为了能尽早读到新出版的图书，他努力考上东京的名门学校，并独自一人在此生活，终日与书籍为伴。在他的收藏中，春海尤其偏爱神秘作家秋山忍风格多变的著作。某天，春海所在咖啡店突遭歹徒，为保护身后一名只顾奋笔疾书的少女，他被歹徒残忍杀害。正前往另一个世界的春海，无论如何希望读完秋山忍“大罪系列”最后一部小说。凭借这股执念他重返人间，谁知却俯身在一条长毛腊肠狗身上。未过多久，狗狗春海邂逅能够听懂他心声的古怪少女夏夜雾姬（井上麻里奈 配音），而对方另一个身份正是秋山忍。阅读痴撞上写作痴，有趣的故事拉开序幕…… 　　本片根据更伊俊介（原著）、鍋島テツヒロ（插画）的同名原作改编。

新锐企业家乔慕生重逢数年未见的高中同学苏念，已是杂志编辑的苏念为了采访不惜对乔慕生围追堵截，乔慕生无奈之下自曝自己的真实身份并非是乔慕生，没想到阴差阳错下与苏念开启了室友生活，不久苏念陷入同时爱上两个人的困境，直到她发现乔慕生的秘密……