By presenting archive footage along with his own life story, filmmaker Gabriele Salvatores mediates an illustration of the economic boom in Italy during the 1960s.

1960 is a home movie recorded as a super 8mm logbook. Based upon Diário de Bordo by Fernando Távora, its goal is to revisit the journey the architect made in 1960.

When the remains of an apartheid-era policeman are discovered 60 years after he went missing, a retired singer revisits her past to help with the investigation. But how much does she know, and what is she holding back?

第二次世界大战期间，意大利北部有个专门囚禁一些父母已被纳粹杀害的犹太儿童的集中营。集中营由意大利士兵管理，因而对附近修道院修女救援被囚禁儿童佯装不知。后来德军上校接管了集中营，严加防范，并逐渐知道了修女解救儿童的秘密。他们搜查了修道院，逮捕了相关修女，逼迫她们交代儿童出境路线和游击队员名单。最后当上校要处决院长和修女时，意大利士兵射杀了上校和他的副手，一同投奔了游击队。

A compilation of the most spectacular TV moments thanks to the presence and evocation of Jean-Luc Godard on the small screen. Godard's presence has never been, and never will be, anodyne or banal. The subversion of everyday television.

泰勒·谢里丹正在开发另外两部《黄石》前传限定剧，分别聚焦1940年代和1960年代。

以靜照記錄台灣常民風土聞名的攝影家許蒼澤（1930-2006），在他的鏡頭底下，鹿港的長源醫院不僅是設有暗房的故居、父親的醫院，更是家庭電影裡的快樂園地。1960年代前後，以8mm拍攝的家庭電影成為業餘電影的一隅顯影。在膠卷媒材取得、器材操作技術尚未普及的島嶼上，散落台灣城鎮的業餘同好，也用各自的雙手鑽研技法、手繪字卡，留下沒有包袱的個人小電影。 「再發現」的許蒼澤家庭電影卷，親密地捕捉了家人手足最美的時光。透過本場次的重映與重聚，每一卷未命名的三分二十秒，都是業餘者最純粹認真的永恆。

泰勒·谢里丹正在开发另外两部《黄石》前传限定剧，分别聚焦1940年代和1960年代。

公元前73年，来自古罗马利比亚省的奴隶斯巴达克斯在加普亚格斗学校中爱上了女奴瓦瑞妮娅。同年，格斗学校的奴隶在斯巴达克斯带领下发动起义，获得自由，随后斯巴达克斯与瓦瑞妮娅团聚，结为夫妇。起义震惊了罗马的统治集团，激化了元老院中贵族派和平民派的矛盾。贵族将领克拉苏乘机击败平民派首领格拉古，篡夺了首席执政官的权力，实行独裁。格拉古为了打击克拉苏，打算私下放走奴隶大军；克拉苏却重金收买了海盗，并召回在国外作战的两支大军。斯巴达克斯起义军三面受敌，寡不抵众，数万奴隶战死，他与妻子和六千幸存战友均被克拉苏所俘。在最后的关头，由于格拉古的帮助，情况又发生了变化。

Like many French-language films I've seen, this one is more concerned with presenting a fairly realistic slice of life than with creating the standard story arc. The main character, Michele, spends the hour discussing her views of life with some old and new friends, and tries to understand her own feelings about her place in the world and her sexuality, while a camera follows along at close range. If you like your stories action-packed and resolved at the end you won't care for this one, but as a "portrait of a young girl" this film is engaging and thought-provoking. The movie reminded me of some of my own teenage trials, in a bittersweet way. The film is not so good at authentically recreating the 60's, but hey, it was probably low-budget. Anyway, the setting doesn't seem that important, as the kids' thoughts are pretty universal. Includes songs by the likes of Leonard Cohen, Johnny Hallyday, and James Brown.