小杏（广末凉子 饰）自由便失去了父亲的关爱，和母亲一起过着相依为命的生活。幸运的是，小杏的母亲是一位十分坚强的女性，身为女性杂志编辑的她，从小就给小杏灌输着要自强自立的观念。 　　在母亲的影响下，小杏加入了学校的广播社团，并且制作了自己的节目“樱木新闻”。每天午饭时间，校园上空都会响起小杏亲切的声音，播报着学校周边发生的大大小小的事件。一场意外让小杏想起了一位名叫阿彻（圆岛努 饰）的少年，曾经，两人许下约定要一起拍一部电影。在老师的鼓励下，小杏决定兑现这一约定，她找到了曾经拍摄过的录音带，想要通过剪辑和拼接来完成她人生中的第一支纪录片。

Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard instead offers up a 17-minute barrage of re-edited footage of wars and Nazi atrocities, interspersed with clips of Maurice Chevalier in "Gigi" and Godard's own "À bout de souffle."

Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard instead offers up a 17-minute barrage of re-edited footage of wars and Nazi atrocities, interspersed with clips of Maurice Chevalier in "Gigi" and Godard's own "À bout de souffle."

Like most of the cinematographies in the world, Georgian cinema witnessed, in the mid-20th century, the appearance of a distinguished generation of filmmakers. Some years after the great waves taught in film books, the films by filmmakers from the region started being part of the programs of the most important festivals. One of those was the first feature by Rekhviashvili, one of the cases in which the formalism of the time crossed paths with a filmmaker preoccupied by politics, ethics and the arrival of modernization. Told from the perspective of a young student who returns to his native Georgia, the film shows the struggle of the people against a foreign company that tries to exploit the natural resources of their lands for commercial purposes. A historical, anachronistic study on bureaucracy, patriotism, solidarity and the bond between man and nature. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/the-georgian-chronicle-of-the-19th-century

此片有助于抵挡不绝于耳的煽动者的谎言和丑闻，与当下的现实同样严肃，可也无法冲淡竞选带来的激动人心的情绪。911，卡特里娜飓风，安然公司事件以及伊战之后，美国式的乐观情绪若想要重回主流，受到以下两方面因素的阻碍：军事上的受挫和国内的焦虑情绪。这是一场美国式的诠释，但它对于自身限制的认知却是非美国式的。本片通过回顾美国历史中美妙绝伦的时刻来解读现世，将诸如托马斯杰弗森、亨利福特、马克吐温、亚伯拉罕林肯之类的传奇人物，和如今的士兵、商人、卡车司机、教师以及（甚至）政客联系起来。这个系列片及时而生动地将重大历史时刻前的美国（过去和现在）展现在观众眼前。

此片有助于抵挡不绝于耳的煽动者的谎言和丑闻，与当下的现实同样严肃，可也无法冲淡竞选带来的激动人心的情绪。911，卡特里娜飓风，安然公司事件以及伊战之后，美国式的乐观情绪若想要重回主流，受到以下两方面因素的阻碍：军事上的受挫和国内的焦虑情绪。这是一场美国式的诠释，但它对于自身限制的认知却是非美国式的。本片通过回顾美国历史中美妙绝伦的时刻来解读现世，将诸如托马斯杰弗森、亨利福特、马克吐温、亚伯拉罕林肯之类的传奇人物，和如今的士兵、商人、卡车司机、教师以及（甚至）政客联系起来。这个系列片及时而生动地将重大历史时刻前的美国（过去和现在）展现在观众眼前。

The End of America details the ten steps a country takes when it slides toward fascism. It's not a "lefty"tot tome, rather a historical look at trends in once-functioning democracies from modern history that are being repeated in our country today. It gives any reader (or viewer of the lecture) a much-needed history lesson and constitutional refresher. Most importantly, it puts the recent gradual loss of civil liberties in the U.S. in a historical context. The average American might not be alarmed at AT&T selling our private information to the Bush administration, but when this action is seen as part of a larger series of erosions and events, a pattern emerges with unfortunate consequences that become disturbingly clear. 　　- Written by Production

The End of America details the ten steps a country takes when it slides toward fascism. It's not a "lefty"tot tome, rather a historical look at trends in once-functioning democracies from modern history that are being repeated in our country today. It gives any reader (or viewer of the lecture) a much-needed history lesson and constitutional refresher. Most importantly, it puts the recent gradual loss of civil liberties in the U.S. in a historical context. The average American might not be alarmed at AT&T selling our private information to the Bush administration, but when this action is seen as part of a larger series of erosions and events, a pattern emerges with unfortunate consequences that become disturbingly clear. 　　- Written by Production