Hanyeong obtained her tour guide-interpreter's license and became a tour guide in Korea. She gets used to her new surroundings. However, she is forced to face challenges as she loses touch with her brother. And the number of Chinese tourists decreases due to the political tensions between China and Korea.

Personnel / Personel 　　1975, released Jan. 13, 1976, Poland, TV film 　　16 mm, color, 70 min 　　Director: Krzysztof Kieslowski 　　Screenplay: Krzysztof Kieslowski 　　Cinematography: Witold Stok 　　Music: „Aida”, Giuseppe Verdi, performed by Orchestra of the Grand Theatre and Opera in Warsaw 　　Art Director: Tadeusz Kosarewicz 　　Music arranged by: Michal Zarnecki 　　Production Company: Tor Film Studio, Warsaw, Poland 　　Cast: Juliusz Machulski (future film director, as Romek), Irena Lorentowicz, Wlodzimierz Borunski, Michal Tarkowski (Sowa), Andrzej Siedlecki (Andrzej), Tomasz Lengren, Tomasz Zygadlo, Janusz Skalski, and others. 　　Kieslowski’s first feature-length film is ostensibly about the theater’s anonymous backstage workers: the tailors, painters, modelers. They are creative individuals devoted to their work and vital to a theater’s success. But given the traditional cult of the actor, these craftsmen are underestimated by actors and audience alike. The film’s protagonist, Romek, is a student at a theater technical college. A sensitive young man fascinated by the magic of theatrical art, he finds his first job in the tailoring workshop of the opera. Quickly confronted with the reality behind the scenes - the bickering, petty jealousies, vindictiveness and corruption - his illusions are shattered. His elder colleague, the tailor Sowa, finds himself targeted by an hysterical actor, and socio-political organizations in the theater want to use Romek against Sowa. Kieslowski’s made-for-television microcosm of the society at large, and an early exploration of moral choice in the workplace. 　　Awards: 　　1975 Mannheim (International Film Week) – Grand Prix 　　1975 Mannheim (International Film Week) – International Catholic Film Award 　　1975 Andrzej Munk Award (of the National Film, Television and Theatre School in Lodz) 　　1976 Gdansk (in Gdynia since 1986) (Polish Feature Films Festival) – Best TV Film 　　1976 Gdansk (in Gdynia since 1986) (Polish Feature Films Festival) – Journalists Award for Best TV film 　　1976 „Golden Camera” (from "Film" magazine) - Best Feature Director’s debut of 1975 　　1976 Koszalin (Koszalin Film Meetings "The Young & Film") - Grand Prix "Great Jantar" 　　1979 Lagow (LLF) – Grand Prix „ Golden Grape Cluster” 　　Download Link 　　http://rapidshare.com/files/112091291/Personel__Krzysztof_Kieslowski_1975_.part1.rar 　　http://rapidshare.com/files/112091964/Personel__Krzysztof_Kieslowski_1975_.part2.rar 　　http://rapidshare.com/files/112092060/Personel__Krzysztof_Kieslowski_1975_.part3.rar 　　http://rapidshare.com/files/112091797/Personel__Krzysztof_Kieslowski_1975_.part4.rar 　　http://rapidshare.com/files/112092069/Personel__Krzysztof_Kieslowski_1975_.part5.rar 　　http://rapidshare.com/files/112092150/Personel__Krzysztof_Kieslowski_1975_.part6.rar 　　http://rapidshare.com/files/112091917/Personel__Krzysztof_Kieslowski_1975_.part7.rar 　　http://rapidshare.com/files/112085546/Personel__Krzysztof_Kieslowski_1975_.part8.rar

在这座城市的某个街角，伫立着一家名为“Night People”的葡萄酒酒吧。这一天，兼具智慧与美貌的杉野萌子（佐藤江梨子 饰）出现在酒吧门口，许是她的容颜让店主人木村信治（北村一辉 饰）想起了旧日恋人，萌子最终成为“Night People”的店员。没有任何悬念，萌子得到客人们的欢心，连信治也渐渐为这个美人所吸引。某天，自称曾根的刑警（杉本哲太 饰）遽然而至，笑容阴冷地他向信治讲述了一个令人难以置信的案件。三年前，萌子伙同名叫大石的男子从某国会议员手中强夺2亿日元现金。此后大石失踪，那笔巨款也不知去向。面对粗暴的曾根，信治选择相信萌子的自白，并决定保护她…… 　　本片根据直木赏获奖作家逢坂刚的短篇小说《都会の野獣》（收录于文春书库出版的《情状鑑定人》中）。

我的两个朋友试图离开之前的世界。这是一个关于他们的情感、他们之间的爱情的故事。

一位高管经历了一次意外的分手，然后接受了一项卧底任务，了解越南的旅游业。

一位高管经历了一次意外的分手，然后接受了一项卧底任务，了解越南的旅游业。

美女少妇请你帮忙打官司，你却直接把对面律师送了进去，甚至就连敲锤的也被你送进去踩了两年半缝纫机，然而身为天才律师的你，因为揭露律所黑幕，被开除成一个废物游民，以至手现在，只能靠着各种至门邪道为生，在一次暴力收账中，对方报警直接将你抓进了派出所。

第64届欧洲歌唱大赛由上届冠军以色列承办，具体举办地为以色列首都特拉维夫。本届大赛共有41个国家参赛，将于5月14、16日进行两场半决赛，18日进行总决赛。

第64届欧洲歌唱大赛由上届冠军以色列承办，具体举办地为以色列首都特拉维夫。本届大赛共有41个国家参赛，将于5月14、16日进行两场半决赛，18日进行总决赛。

Life at the border is very tough. The land is stony and dry, farmers plough fields of sand and illegal trafficking seems to be the only way to make a living. In Deliviran, a village near Urfa close to the Syrian border, Hidir’s chief is involved in smuggling and gets shot. Hidir tries to stay out of illegal activities but circumstances contrive to push him in the opposite direction until he accepts to take a herd of sheep across the border. Amidst poverty and the landmines Hidir struggles to keep his dream and his young son alive.