房间里，动画师正在动画台上工作。他快速地勾勒出一个卡通人物的头部，犹豫了一下，好像对自己的作品不满意，于是把卡通人物推到了一边，重新开始创作。这次他决定从人物的脚开始，很快一个无头的角色被创作出来了，但他又很快否定了自己的创意。当他准备再次绘制时，不小心打翻了颜料盘，正 准备扔掉了画纸。不料，被放弃的卡通形象的头和身体竟自行结合为一体。不甘被丢弃的小人跑到动画台上，随之而来的还有被撒出去的颜料，颜料紧跟着卡通小人，随即展开了追逐与争斗。动画师看到这一幕，立马制止这混乱的场面，操纵起了小人，而小人不甘被操纵，一场激烈的开始了…… 　　本片荣获1992年奥斯卡最佳动画短片奖。

房间里，动画师正在动画台上工作。他快速地勾勒出一个卡通人物的头部，犹豫了一下，好像对自己的作品不满意，于是把卡通人物推到了一边，重新开始创作。这次他决定从人物的脚开始，很快一个无头的角色被创作出来了，但他又很快否定了自己的创意。当他准备再次绘制时，不小心打翻了颜料盘，正 准备扔掉了画纸。不料，被放弃的卡通形象的头和身体竟自行结合为一体。不甘被丢弃的小人跑到动画台上，随之而来的还有被撒出去的颜料，颜料紧跟着卡通小人，随即展开了追逐与争斗。动画师看到这一幕，立马制止这混乱的场面，操纵起了小人，而小人不甘被操纵，一场激烈的开始了…… 　　本片荣获1992年奥斯卡最佳动画短片奖。

《操纵》是一部紧张的戏剧，充满神秘感，由一组演员组成。地方检察官黛安·康拉德（Diane Conrad）面临着极大的压力，需要解决一个让政客和当地社区都感到紧张的案件。时钟滴答作响，赌注和情绪都很高。有人能相信他们所看到或听到的吗？为什么斯科特·基廷侦探要进行他职业生涯中最大的赌博？证据短缺，所有相关人员的个人和职业生活都不清楚，你能相信任何人说的话吗？比赛开始了。

八十年代欧美流行“中国热”，王颖执导的《寻人》和《点心》是这个潮流下的焦点电影作品。《点心》的主角是一对母女，母亲谭太太（周琼饰）是一个 典型的中国妇女，她的思想观念和生活方式几乎没有改变。而女儿紫云（周罗莲饰），却是在美国出生的新一代，她一方面要坚守孝道，另一方面也想过独立自主的生活，这个矛盾表现得最明显的就是紫云的婚姻问题。

八十年代欧美流行“中国热”，王颖执导的《寻人》和《点心》是这个潮流下的焦点电影作品。《点心》的主角是一对母女，母亲谭太太（周琼饰）是一个 典型的中国妇女，她的思想观念和生活方式几乎没有改变。而女儿紫云（周罗莲饰），却是在美国出生的新一代，她一方面要坚守孝道，另一方面也想过独立自主的生活，这个矛盾表现得最明显的就是紫云的婚姻问题。

“中外厨神争霸赛”迎来最终的冠军争夺赛。何弦作为彭氏餐饮集团的行政总厨为人狂妄自负，从来不把点心看在眼里。在最后环节，何弦需要制作“蟹黄汤包”，但甜品副厨在笼屉上做了手脚导致何弦失败。何弦气急败坏，在现场大打出手。何弦“露馅大厨”的新闻爆炸式传播开来，彭氏集团宣布开除何弦，并称他是中国餐饮界之耻。何弦狼狈投奔外甥欧小楼，小楼经营着家传的“百年烧饼铺”。彭千禄的人阴魂不散上门要收烧饼铺！原来欧小楼那个不靠谱的老爹欧大海欠了彭氏集团三百万，用店铺抵债。与此同时，一个帅气女生花蕾上门，说自己是这家店的租客，现在来收房。原来“渣爹”欧大海将房子又卖又租。花蕾用“买卖不破租赁”这一法律条款将要债之人打发走，又将何弦舅甥扫地出门，正在何弦以为走投无路的时侯，欧小楼告诉他有一个含金量很高的点心比赛，冠军有三百万奖金，赢了就可以还债，何弦决定从哪里跌倒就从哪里爬起来，要带欧小楼报名参加点心大赛！

“中外厨神争霸赛”迎来最终的冠军争夺赛。何弦作为彭氏餐饮集团的行政总厨为人狂妄自负，从来不把点心看在眼里。在最后环节，何弦需要制作“蟹黄汤包”，但甜品副厨在笼屉上做了手脚导致何弦失败。何弦气急败坏，在现场大打出手。何弦“露馅大厨”的新闻爆炸式传播开来，彭氏集团宣布开除何弦，并称他是中国餐饮界之耻。何弦狼狈投奔外甥欧小楼，小楼经营着家传的“百年烧饼铺”。彭千禄的人阴魂不散上门要收烧饼铺！原来欧小楼那个不靠谱的老爹欧大海欠了彭氏集团三百万，用店铺抵债。与此同时，一个帅气女生花蕾上门，说自己是这家店的租客，现在来收房。原来“渣爹”欧大海将房子又卖又租。花蕾用“买卖不破租赁”这一法律条款将要债之人打发走，又将何弦舅甥扫地出门，正在何弦以为走投无路的时侯，欧小楼告诉他有一个含金量很高的点心比赛，冠军有三百万奖金，赢了就可以还债，何弦决定从哪里跌倒就从哪里爬起来，要带欧小楼报名参加点心大赛！

Dim Sum Take-Out shows how the heterogeneity and complexity of Asian American experiences can be erased. It was literally cut together from film that was shot for Dim Sum, which was conceived as a film about the ways in which five women of the Chinese diaspora—three American-born (Laureen Chew, Amy Hill, and Rita Yee), a naturalized citizen (Cora Miao), and a recent immigrant (Joan Chen)—try to balance their personal goals and the expectations of the Chinese American community in which they live (Seid 1983). The original story line was thought to be too complicated and ambitious, and, ultimately, significant portions of Dim Sum were rewritten and reshot to focus on Geraldine, a second-generation Chinese American woman, and her relationship with her immigrant mother. However, footage that had already been shot for the film was edited together to create Dim Sum Take-Out, an eleven-minute film made up of narrative segments intercut with music video style segments, set to English- and Chinese-language versions of the song "My Boyfriend's Back." During the narrative sections, the characters talk candidly and humorously about a range of topics: their relationships with one another; sex, gender roles, and stereotyping; their feelings about and relationships with men; and their expectations about life and how they have changed over time.

Dim Sum Take-Out shows how the heterogeneity and complexity of Asian American experiences can be erased. It was literally cut together from film that was shot for Dim Sum, which was conceived as a film about the ways in which five women of the Chinese diaspora—three American-born (Laureen Chew, Amy Hill, and Rita Yee), a naturalized citizen (Cora Miao), and a recent immigrant (Joan Chen)—try to balance their personal goals and the expectations of the Chinese American community in which they live (Seid 1983). The original story line was thought to be too complicated and ambitious, and, ultimately, significant portions of Dim Sum were rewritten and reshot to focus on Geraldine, a second-generation Chinese American woman, and her relationship with her immigrant mother. However, footage that had already been shot for the film was edited together to create Dim Sum Take-Out, an eleven-minute film made up of narrative segments intercut with music video style segments, set to English- and Chinese-language versions of the song "My Boyfriend's Back." During the narrative sections, the characters talk candidly and humorously about a range of topics: their relationships with one another; sex, gender roles, and stereotyping; their feelings about and relationships with men; and their expectations about life and how they have changed over time.