Vincent is an ordinary-looking cop in Descharnes province. Ten years ago, he buried a dirty business to save his skin. Stan Wilson, and share their passion for Deborah but also a dark secret. Ten years ago, they suffered a trauma that no child can recover. Wilson wants to forget. Stan wants to speak, without knowing that he then puts in motion a terrible plot ...

老王和娘娘腔的日记男主top的网络小短剧

十岁的汤姆和父亲住在一个贫穷但温馨幸福的集装箱里，他在学校表现良好，平凡的生活却因为一个儿童保护工作者的介入而发生了变化。影片讨论了关于贫困户是否有能力抚养小孩的社会问题，

当山姆恢复意识时，在一个拥挤的地铁里，他不知道他是如何到达那里，他来自哪里， 也不知道自己的名字。他疯狂的寻找他的身份，慢慢地他意识到他的生活很危险。

当山姆恢复意识时，在一个拥挤的地铁里，他不知道他是如何到达那里，他来自哪里， 也不知道自己的名字。他疯狂的寻找他的身份，慢慢地他意识到他的生活很危险。

有天我收拾母亲房间的购物袋时，看到来自整形美容医院的收据…… One day when I was sorting the shopping bags in my mother's room, I saw the receipt from a plastic surgery hospital...

中央新闻纪录电影制片厂1965年摄制 学新技术力争高产（宁夏） 摄影孙树相 夏收传捷报（安徽 山东 河北）摄影亢殿邦、张存勋、王奎家 长春汽车制造厂生产全面高涨（吉林）摄影沙钟科

It is not enough to see or hear something once, there is always the need for repetition. Aside from maintaining a detailed diary, I continually document fragments of everyday life with my camera. The images I record never satisfy lived experience, they are simply marks that are barely able to prevent memory from completely vanishing. I never anticipate what images I’ll be able to capture. I only save them as a sign that something was there, or that I was there. “Recollection” is a troubling thing. What is filmed fails to supplement memory. Recorded images are left to haunt the mind, rendering true recollection impossible. In spite of this, I can’t help but rely on these images derived from reality, observing them over and over again. Perhaps, waiting for them to fulfill a potential some 60 years from now. Even if the image is a corpse, the work itself is a living thing. For in the end, there is always the need for repetition.

如果 AI 具有意识……这或许可以算是 21 世纪最细思极恐的设想之一了吧。这支短片就基于这一设想进行展开了想象，讲述了一个具有意识的 AI「27号」是如何诞生，又是如何死去的故事。From exurb1a

少女阿夢在一家名為「廿七俱樂部」的唱片店打工。 每天在白日夢裡幻想：假想朋友Kurt Cobain能把她從了無生氣的生活中拯救出來。 面對著廿七歲生日的逼近，她透過向死而生的想像，打破對成長的迷思。 A coming-of-age short depicts main character, Yumi and her record store coworker, as they experience existential dread about turning 27 years old, the age that many western rock stars passed. Between day dreaming and questioning their live's direction, the two supervise the record store and its quirky cast of customers and get up to their own shenanigans in the process.