Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

艾薇和豆豆报了芭蕾舞课，却发现她们要在数百人面前演出。要赶快逃跑才行！

小山栗子（石田光 饰）是一个一心想要踏入婚礼殿堂的女孩，个性善良天真的她在感情的道路上走了许多的弯路，不仅一直喜欢着的藤本和她提出了分手，曾经有过一夜情的佐伯即将成为她的上司，不仅如此，栗子对自己正在从事的工作可谓是毫无热情和兴趣。在和母亲大吵一架之后，伤心的栗子决定离家出走。 　　徘徊在街头无处可去的栗子意外的遇见了高中时的同学菜摘（清水美沙 饰），此时的菜摘经营着一间同性恋酒吧，她本身亦是一名同性恋者。其实栗子并不知道，自打高中时代起，菜摘就默默的喜欢着她，这份感情直到今日都未曾改变。在菜摘的邀请下，栗子住进她家，成为了她的室友。

本剧改编自畑亜希美同名漫画，讲述了30岁公司职员森山志乃（松井玲奈饰），不管是工作还是恋爱的她，大致上已经拥有很多经验，如今到了结婚意识的年龄，…

而立之年，相遇、相知、相爱，在命运的安排下拥抱迟来的爱情，在生活和职场展现成熟女性的独立与自信。

而立之年，相遇、相知、相爱，在命运的安排下拥抱迟来的爱情，在生活和职场展现成熟女性的独立与自信。

「30女はまだ余裕がある」と信じたい主人公の32歳・独身アラサー派遣社員・神林莉子（内田有紀）が、理想と現実のはざまで揺れる30女の機微、ねじれ現象を等身大で表現している。 　　 　　2010年前後の日本の世相を反映させた本作は、自ら幸せを掴むため「就活」も「婚活」も、悩みながら、たくましく生きるアラサー女性には共感できるだろう。 　　 　　イケメン会社員役には演技派俳優の豊原功補が扮しており、派遣要員を確保し、就職口をさがし提供するのだが、この二人の関係は単なる派遣社員（独身30女）とその担当（派遣元会社の社員）というものではでなく、ある事実からいつしか意外な方向へと向かい始める。

「30女はまだ余裕がある」と信じたい主人公の32歳・独身アラサー派遣社員・神林莉子（内田有紀）が、理想と現実のはざまで揺れる30女の機微、ねじれ現象を等身大で表現している。 　　 　　2010年前後の日本の世相を反映させた本作は、自ら幸せを掴むため「就活」も「婚活」も、悩みながら、たくましく生きるアラサー女性には共感できるだろう。 　　 　　イケメン会社員役には演技派俳優の豊原功補が扮しており、派遣要員を確保し、就職口をさがし提供するのだが、この二人の関係は単なる派遣社員（独身30女）とその担当（派遣元会社の社員）というものではでなく、ある事実からいつしか意外な方向へと向かい始める。

30 for 30 is the title for a series of documentary films airing on ESPN, its sister networks, and online highlighting interesting people and events in sports history. This currently includes four "volumes" of 30 episodes each, a 13-episode series under the ESPN Films Presents title in 2011–2012, and a series of 30 for 30 Shorts shown through the ESPN.com website. The series has also expanded to include Soccer Stories, which aired in advance of the 2014 FIFA World Cup, and audio podcasts. This entry refers to the main Volumes of the series presented by ESPN