这部喜剧名为《15分钟震惊世界》(Fifteen Minutes That Shook the World)，片中虚构了利物浦在2005年欧冠决赛0-3落后AC米兰时绝地反击、最后3-3战平通过点球大战获胜背后的成功秘密。

2004 年印度洋大地震发生於2004年12月26日UTC时间00:58:55 ( 雅加达，曼谷当地时间07:58:55）。震央位於印尼苏门答腊以北的海底。当地地震局测量到的强度为6.8级，香港、中国大陆及美国量度到的强度则为里氏(芮氏, 黎克特制) 8.5至8.7。其后香港天文台和美国全国地震情报中心分别修正强度为8.9和9.0。这是自1964年阿拉斯加耶稣受难日地震来最强的地震，也是 1900年以来强度第四的地震。有数万人在地震引发的海啸中死亡，一些地区的海啸高达十多米（33英尺）。

这是我一个人的故事，我是一个船长（黄渤 饰），至少我自己这么认为，在一栋高楼的房顶上我建了一艘蓝色的大船，于是我开始了航行。要去哪儿呢，我要去麦哲伦海峡，因为麦哲伦先生在那里等我，我一定要见到他。我从广播里得知，要穿过太平洋，需要经历一场暴风雨，才可以到达目的地，于是我每天盼望着暴风雨的来临，因为冲过它，我就可以找到我要找的东西了。我从来不会下船，每天都在船上生活，洗衣做饭，我还喜欢上了钓鱼，我每天还会把剪刀和看到的东西都写在我的航海日志里面，船上的生活很惬意，我也一步一步地向南美洲靠近，但我还是没有遇到那场暴风雨，还没有见到麦哲伦先生，我快忍受不了了。直到有一天晚上，应该是我出海的第一百四十八天，当我开始自暴自弃的时候，暴风雨来了，我独自一人站在船头，接受着暴风雨的洗礼，我冲着天空大喊。但是暴风雨远比我想象的猛烈，我发现我的船根本经不住它的造访，于是我想拯救我的大船，但是我被那张我心爱的大白帆砸晕了，之后的事情，我不记得了。第二天早上，我被我的海鸥朋友们叫醒，浑身的伤让我难以动弹，我爬上了甲板，升起了我那张已经破烂不堪的白帆，因为我知道，我还要继续的航行，直到目的地。这个时候我猛然回头，我看到了另一艘船…… 　　This is my own story, I am a captain (Huang Bo performed), at least I believed so. I built a blue steamship on the roof of a tall building, therefore I started my sailing journey. Where can my boat go? I decided to go to Magellan Strait, because Mr. Magellan waited for me there, I must see him. From the broadcasting, there will be a big storm I have to experience if i want to pass though the Pacific Ocean, only then I may arrive at the destinations. Therefore I was looking forward to the storm everyday, because when I defeat it, I might find the thing that I was looking for. I never get off from the boat; everyday lived on the boat. Cooking, laundry, and I also like fishing as well. I picked up things and wrote the things I saw inside mine log book. Life on the boat was really relaxed, and I was starting to approach South America step by step, but I didn’t met that storm, haven’t seen Mr. Magellan, I couldn’t endure this. Until there was one night, should be 148th day I navigated, when I started to despair, the storm has come. I standed in the bow alone, accepted the rain splashed wet on me and shouted to sky loudly. The storm was far fury than what I expected, I discovered that my ship couldn’t stand up to its visit. I just want to save my ship, but I was pounded by the big white sail have fainted, afterward matter, I didn’t remember anything. The next morning, Gull waked me up. The pain made me move with difficulty, I climbed on the desk, raised my sail although it was totally wrecked, because I know I must continue my navigation, straight to the destination. This time I suddenly turn back, I saw another ship…

这是我一个人的故事，我是一个船长（黄渤 饰），至少我自己这么认为，在一栋高楼的房顶上我建了一艘蓝色的大船，于是我开始了航行。要去哪儿呢，我要去麦哲伦海峡，因为麦哲伦先生在那里等我，我一定要见到他。我从广播里得知，要穿过太平洋，需要经历一场暴风雨，才可以到达目的地，于是我每天盼望着暴风雨的来临，因为冲过它，我就可以找到我要找的东西了。我从来不会下船，每天都在船上生活，洗衣做饭，我还喜欢上了钓鱼，我每天还会把剪刀和看到的东西都写在我的航海日志里面，船上的生活很惬意，我也一步一步地向南美洲靠近，但我还是没有遇到那场暴风雨，还没有见到麦哲伦先生，我快忍受不了了。直到有一天晚上，应该是我出海的第一百四十八天，当我开始自暴自弃的时候，暴风雨来了，我独自一人站在船头，接受着暴风雨的洗礼，我冲着天空大喊。但是暴风雨远比我想象的猛烈，我发现我的船根本经不住它的造访，于是我想拯救我的大船，但是我被那张我心爱的大白帆砸晕了，之后的事情，我不记得了。第二天早上，我被我的海鸥朋友们叫醒，浑身的伤让我难以动弹，我爬上了甲板，升起了我那张已经破烂不堪的白帆，因为我知道，我还要继续的航行，直到目的地。这个时候我猛然回头，我看到了另一艘船…… 　　This is my own story, I am a captain (Huang Bo performed), at least I believed so. I built a blue steamship on the roof of a tall building, therefore I started my sailing journey. Where can my boat go? I decided to go to Magellan Strait, because Mr. Magellan waited for me there, I must see him. From the broadcasting, there will be a big storm I have to experience if i want to pass though the Pacific Ocean, only then I may arrive at the destinations. Therefore I was looking forward to the storm everyday, because when I defeat it, I might find the thing that I was looking for. I never get off from the boat; everyday lived on the boat. Cooking, laundry, and I also like fishing as well. I picked up things and wrote the things I saw inside mine log book. Life on the boat was really relaxed, and I was starting to approach South America step by step, but I didn’t met that storm, haven’t seen Mr. Magellan, I couldn’t endure this. Until there was one night, should be 148th day I navigated, when I started to despair, the storm has come. I standed in the bow alone, accepted the rain splashed wet on me and shouted to sky loudly. The storm was far fury than what I expected, I discovered that my ship couldn’t stand up to its visit. I just want to save my ship, but I was pounded by the big white sail have fainted, afterward matter, I didn’t remember anything. The next morning, Gull waked me up. The pain made me move with difficulty, I climbed on the desk, raised my sail although it was totally wrecked, because I know I must continue my navigation, straight to the destination. This time I suddenly turn back, I saw another ship…

浩瀚夜空中，一架普通客机载着乘客缓缓向目的地飞行，飞机上的乘客丹尼因独自乘机的小女孩克洛伊，与空接艾玛相识，一切看上去美好而平凡，然而暗夜中一股神秘的力量正不断逼近，威胁着飞机上每个人的生命……

At the edge of the Dnieper Kotigoroshko hero lived with his sister Alenka. Scary Snake stole Alenka and carried it into his snake kingdom. Voluntary Cossacks forged sword, gave the water of life and spent Kotigoroshko on a long journey. A flying boat he flew into a snake kingdom, defeated snake animated sister, freed all the slaves, and returned to their homes.

以20世纪末到21世纪初期间最骇人听闻的案件为典型，展现了26宗震惊世界的犯罪。

骇人听闻的剧情，令人瞠目的画面，要看当心！--Aihoo “恶男”是否能“造世界”我们暂且不论，我们要说的是本片中几个无恶不作的“恶男”，他们不仅热衷群P，还是个地道的抢夺团伙，而且对政权政治极度狂热。就是这几个“恶男”，他们又把目光锁定了“款GAY”，不仅非法闯进他们的私人豪宅，还强迫他们进行SEX-I表演，甚至加入他们SEX-I行列，几度狂欢，外加SM，因而被观众誉为“新纳粹恶男”。

骇人听闻的剧情，令人瞠目的画面，要看当心！--Aihoo “恶男”是否能“造世界”我们暂且不论，我们要说的是本片中几个无恶不作的“恶男”，他们不仅热衷群P，还是个地道的抢夺团伙，而且对政权政治极度狂热。就是这几个“恶男”，他们又把目光锁定了“款GAY”，不仅非法闯进他们的私人豪宅，还强迫他们进行SEX-I表演，甚至加入他们SEX-I行列，几度狂欢，外加SM，因而被观众誉为“新纳粹恶男”。

The French writer and 2022 Nobel Prize awardee Annie Ernaux, whose novels and memoirs have gained her a devoted following (and whose autobiographical L’Événement was adapted just last year into the critically acclaimed film Happening), opens a treasure trove with this delicate journey into her family’s memory. Compiled from gorgeously textured home movie images from 1972 to 1981 – when her first books were published, her sons became teenagers, and her husband Philippe brought an 8mm film camera everywhere they went – this portrait of a time, place, and moment of personal and political significance takes us from holidays and family rituals in suburban bourgeois France to trips abroad in Albania and Egypt, Spain and the USSR. Supplying her own introspective voiceover, Ernaux and her co-filmmaker, her son David, guide the viewer through fragments of a decade, diffuse and vivid in equal measure. The Super 8 Years is a remarkable visual extension of Ernaux’s ongoing literary project to make sense of the mysterious past and the unknowable future. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1272/14776