大人生性爱嚼舌，小孩却偏要直接。东京近郊挨在一起的几家平房，几个家庭主妇因为储蓄合作社的供款不知所踪，东家长西家短的好不热闹。淘气小兄弟要买电视，父亲不依骂嘴多，小孩口吐真言：你们废话更多。小兄弟沉默抗议，对象除了家人，连邻居、同学、老师都无一幸免。

“在这座城市里拥有爱情，我配么？”这也许是每一个“漂一族”的自我怀疑。

“在这座城市里拥有爱情，我配么？”这也许是每一个“漂一族”的自我怀疑。一次交通意外，让王惜月（王智 饰）陷入了一场从未预想的“一见钟情”；同为…

The series is a complex story of destinies that intersect when they assassinate a media mogul on their wedding day, at the same time that an assassin in the United States is executed in the electric chair. The tycoon's soul is reincarnated in the body of the hit man and, in turn, the killer's soul ends up in the body of a professor of anthropology. Now, every man will not only have to deal with a new body, but also adapt to a new spirit.

The series is a complex story of destinies that intersect when they assassinate a media mogul on their wedding day, at the same time that an assassin in the United States is executed in the electric chair. The tycoon's soul is reincarnated in the body of the hit man and, in turn, the killer's soul ends up in the body of a professor of anthropology. Now, every man will not only have to deal with a new body, but also adapt to a new spirit.

大人生性爱嚼舌，小孩却偏要直接。东京近郊挨在一起的几家平房，几个家庭主妇因为储蓄合作社的供款不知所踪，东家长西家短的好不热闹。淘气小兄弟要买电视，父亲不依骂嘴多，小孩口吐真言：你们废话更多。小兄弟沉默抗议，对象除了家人，连邻居、同学、老师都无一幸免。

在贝鲁特一个街角的咖啡店二楼，有一面大大的转角窗和一台电视机，一位78岁的退伍将军和一位81岁的退伍军医每天早上都会在这里碰面，看着街角车来人往，做着填字游戏，以此对抗阿茨海默综合症。伴随两位老人的玩笑和字谜，咖啡馆的顾客纷纷登场。本片用发生在一个社会小角落16天之内的一系列事件，四两拨千斤地讨论了人生、政治、历史等话题；通过单场景多幕剧的结构让人感受到老人们的孤独，以及疾病带来的苦涩，同时映射出黎巴嫩暴力事件肆虐的现状。以小见大，令人回味。

在不久后的未来，社会上有一种能消除睡眠需求的药丸，再加上人造太阳助力，清晨阳光持续照耀，生活和工作仿佛没有尽头。但随着年轻一代逐渐长大，身处这个被剥夺睡眠的世界，他们打算奋起反抗，只为夺回属于自己的美梦。

“Deep love has finally happened in Ukraine.” 　　Perhaps the most prominent and radical figure in Ukrainian animation, Lyskov (b. 1983) crafts a surreal portrait of his home city Dnipro. Documenting how the people of the riverine metropolis weathered post-USSR storms of social upheaval, this colourful exercise in urban surrealism is a non-verbal phantasmagoria in which entities absurdly and oneirically intermingle. Essentially empathetic and humane, it explores the idea of “Kohannia”—defined by Lyskov as “a feeling that arises in the soul and has a connection with the transcendental and divine… which I do not see around me nowadays.” (N.Y.)