Created by Daniel Bogado and 72 Films (Inside North Korea’s Dynasty), and executive produced by Dan Lindsay and T.J. Martin (Undefeated, LA 92), Daniel Bogado’s 9⁄11: One Day in America was made to mark 20 years since the attacks of 9⁄11. Produced in official collaboration with the 9⁄11 Memorial Museum, the series uses archival footage - some of which has never been seen before - and new, original interviews with eyewitnesses who have now had almost two decades to reflect on the events they lived through. Accumulatively, 9⁄11: One Day in America offers a powerful, immersive, and emotionally charged account of that fateful day.

Created by Daniel Bogado and 72 Films (Inside North Korea’s Dynasty), and executive produced by Dan Lindsay and T.J. Martin (Undefeated, LA 92), Daniel Bogado’s 9⁄11: One Day in America was made to mark 20 years since the attacks of 9⁄11. Produced in official collaboration with the 9⁄11 Memorial Museum, the series uses archival footage - some of which has never been seen before - and new, original interviews with eyewitnesses who have now had almost two decades to reflect on the events they lived through. Accumulatively, 9⁄11: One Day in America offers a powerful, immersive, and emotionally charged account of that fateful day.

Roberto and Miguel have been dating for ten years. A decade of that common life will return to their memories during four days of November. A seemingly strong relationship will start to crumble with each new memory. This increasingly significant life backgroung will show, little by little, the true nature of their shared life. Meanwhile, more than 2000 kilometres apart, in The Two Berlins, a greater relationship is about to change too. In the deep of a relationship lie hidden feelings forged by a common past. Secrets and resentments that the rest of the world can not see, separated by a wall that seems unbeatable. The wall separating Roberto and Miguel was not the only wall that fell down that cold November night.

Roberto and Miguel have been dating for ten years. A decade of that common life will return to their memories during four days of November. A seemingly strong relationship will start to crumble with each new memory. This increasingly significant life backgroung will show, little by little, the true nature of their shared life. Meanwhile, more than 2000 kilometres apart, in The Two Berlins, a greater relationship is about to change too. In the deep of a relationship lie hidden feelings forged by a common past. Secrets and resentments that the rest of the world can not see, separated by a wall that seems unbeatable. The wall separating Roberto and Miguel was not the only wall that fell down that cold November night.

Toni Musulin has worked as a security guard on an armored truck for 10 years. One day, with 11.6 million Euros on board, he drives off without his two colleagues, committing the "heist of the century". Having spent one year planning his robbery, he takes advantage of the flaws in the system that he knows inside out. Leaving his wife and his only friend, he disappears with the money, seeking revenge against his arrogant boss for humiliating him.

At the Television Critics Association Winter Press Tour, National Geographic announced an expansion of “The One Day in America” franchise, with a new documentary, “JFK: One Day In America”. The series marks 60 years since the assassination of JFK, and they are the last surviving witnesses to these extraordinary events. 　　The series will tell the story of the assassination of John F. Kennedy, the president of the United States, told in real time by those who were there. The three-part series will capture how in November 1963, the American president was shot, a search ensued, a policeman was killed, and the assassin was then murdered. 　　Using archive footage of the investigation, police radio recordings, live broadcasts and footage from dozens of television crews, viewers will be fully immersed into the events as they unfold. New and archival interviews with eyewitnesses who were there will give a unique perspective on what really happened, their version of events, and how they think these experiences shaped them and the wider world. The series marks 60 years since the assassination of JFK, and they are the last surviving witnesses to these extraordinary events. 　　The series is produced by 72 Films for National Geographic. For 72 Films, David Glover is the executive producer, and Ella Wright is series director. Daniel Lindsay and T.J. Martin executive-produced the series. For National Geographic, Carolyn Payne is the executive producer, and Tom McDonald is the executive vice president, Global Factual and Unscripted Content. 　　EPISODE ONE: ASSASSINATION 　　EPISODE TWO: MANHUNT 　　EPISODE THREE: REVENGE

根据韩国漫画《偶然发现的一天》改编。阿七在一次意外中发现，自己竟是活在一本言情漫画中的边缘角色，且要不了多久就会因为“要把心脏捐给患有先天性心脏病的漫画女主”，而被作者画死。为自救，她与跑龙套的十三号达成了交易，二人一个为生、一个为死，联手展开了一系列试图改变漫画剧情的骚操作。而阿七怎么也想不到，仅仅因为她“想活下去”的这个行为，就令漫画世界发生了翻天覆地的变化——诸多角色和路人受他们影响纷纷觉醒，背离了原本的设定，而这一结果又导致漫画世界为了修复BUG，开始倾世界之力，对两人展开追杀……

根据韩国漫画《偶然发现的一天》改编。阿七在一次意外中发现，自己竟是活在一本言情漫画中的边缘角色，且要不了多久就会因为“要把心脏捐给患有先天性心脏病的漫画女主”，而被作者画死。为自救，她与跑龙套的十三号达成了交易，二人一个为生、一个为死，联手展开了一系列试图改变漫画剧情的骚操作。而阿七怎么也想不到，仅仅因为她“想活下去”的这个行为，就令漫画世界发生了翻天覆地的变化——诸多角色和路人受他们影响纷纷觉醒，背离了原本的设定，而这一结果又导致漫画世界为了修复BUG，开始倾世界之力，对两人展开追杀……

五月一天 　　拍摄地点：四川 　　作者：马占冬 　　助理：赵力强 　　录音：李琨 　　制片：孙晓筠 　　参展纪录 　　德国汉堡“中国时间”独立电影展 　　2011云之南纪录影像展 　　那天，五•一二，北川人邓胜银在外打工。当他听到消息时，他在县城的妻子朱哓蓉幸运地躲过了灾难，而刚去上学的孩子却再也没回来。本片记录了北川人朱哓蓉一家在灾后一年多时间里的生存状态。 　　从临时安置点到板房，失去孩子的这对夫妇似乎是这场灾难之外的人。他们以四川人特有的生存哲学，应对着周围的人以及发生在他们自己身上的各种事情。朱哓蓉的弟弟也在地震中丧生，这对于只有一双儿女的朱哓蓉的父亲来说是个巨大的打击。好在朱哓蓉的丈夫是入赘女婿，可以令这个一瞬间失去两个男性的家庭得到一丁点儿的安慰。 　　在重大的历史事件节点上，朱家的生活与千万个灾区家庭一样，几乎来不及悲伤。日常生活逐渐安顿下来后，外出务工的人越来越多，但也有像朱家夫妻这样留在当地的。家里的地没了，自身的文化技能的局限性，以及对劫后余生亲情的依恋，使他们比任何人任何时候都更在意眼前能拥有的一切。 　　与所有地震中失去孩子的母亲一样，朱哓蓉很急切地想要一个孩子。新的生命，那是一切未来的开始。 　　作者阐述 　　我的拍摄对象是来自北川农村的一对夫妻，地震中他们未满九周岁的儿子去世了。有一天早已接受这个现实的母亲，突然听说她的儿子当时是逃出了教室的，而震后五个多月的时间里却全无讯息。这突出其来的传闻令她几近崩溃，几个月来我从没看见过她哭得那么无望。开不开机，让我很犹豫。最终我从拍摄者转换成他们可以倾诉的朋友。我知道从工作角度看，也许我错失了一些好镜头。当一个拍摄对象毫无保留地在你面前展示一切时——纪录片道德底线的边界在哪里？这是纪录片制作者无法回避的问题。因为我们知道没有“作者”的介入，生活的片段原本不是那样的。自此之后我不再有意识地问他们在五•一二以前的一切。因为那种对拍摄对象诱导性的提问，以获得影片作者想要的答案以及那种“事件发生前后不同生活的对比”的设计，这不应该是我的工作方式，我想。纪录片的价值不在于没有拍到的，而在于你拍到了什么。 　　马占冬： 　　独立纪录片制作人，平面设计师。2002年开始独立拍摄制作纪录片，2006年成立图谋工作室，致力于纪录片拍摄制作，现生活工作在四川成都。 　　作品年表 　　海石湾（2001） 啊陪（2003） 阿芙蓉（2010） 陈娘娘（2010） 五月一天（2010）

五月一天 　　拍摄地点：四川 　　作者：马占冬 　　助理：赵力强 　　录音：李琨 　　制片：孙晓筠 　　参展纪录 　　德国汉堡“中国时间”独立电影展 　　2011云之南纪录影像展 　　那天，五•一二，北川人邓胜银在外打工。当他听到消息时，他在县城的妻子朱哓蓉幸运地躲过了灾难，而刚去上学的孩子却再也没回来。本片记录了北川人朱哓蓉一家在灾后一年多时间里的生存状态。 　　从临时安置点到板房，失去孩子的这对夫妇似乎是这场灾难之外的人。他们以四川人特有的生存哲学，应对着周围的人以及发生在他们自己身上的各种事情。朱哓蓉的弟弟也在地震中丧生，这对于只有一双儿女的朱哓蓉的父亲来说是个巨大的打击。好在朱哓蓉的丈夫是入赘女婿，可以令这个一瞬间失去两个男性的家庭得到一丁点儿的安慰。 　　在重大的历史事件节点上，朱家的生活与千万个灾区家庭一样，几乎来不及悲伤。日常生活逐渐安顿下来后，外出务工的人越来越多，但也有像朱家夫妻这样留在当地的。家里的地没了，自身的文化技能的局限性，以及对劫后余生亲情的依恋，使他们比任何人任何时候都更在意眼前能拥有的一切。 　　与所有地震中失去孩子的母亲一样，朱哓蓉很急切地想要一个孩子。新的生命，那是一切未来的开始。 　　作者阐述 　　我的拍摄对象是来自北川农村的一对夫妻，地震中他们未满九周岁的儿子去世了。有一天早已接受这个现实的母亲，突然听说她的儿子当时是逃出了教室的，而震后五个多月的时间里却全无讯息。这突出其来的传闻令她几近崩溃，几个月来我从没看见过她哭得那么无望。开不开机，让我很犹豫。最终我从拍摄者转换成他们可以倾诉的朋友。我知道从工作角度看，也许我错失了一些好镜头。当一个拍摄对象毫无保留地在你面前展示一切时——纪录片道德底线的边界在哪里？这是纪录片制作者无法回避的问题。因为我们知道没有“作者”的介入，生活的片段原本不是那样的。自此之后我不再有意识地问他们在五•一二以前的一切。因为那种对拍摄对象诱导性的提问，以获得影片作者想要的答案以及那种“事件发生前后不同生活的对比”的设计，这不应该是我的工作方式，我想。纪录片的价值不在于没有拍到的，而在于你拍到了什么。 　　马占冬： 　　独立纪录片制作人，平面设计师。2002年开始独立拍摄制作纪录片，2006年成立图谋工作室，致力于纪录片拍摄制作，现生活工作在四川成都。 　　作品年表 　　海石湾（2001） 啊陪（2003） 阿芙蓉（2010） 陈娘娘（2010） 五月一天（2010）