Three friends meeting after the absence of one of them for 15 years out of the country. This sudden gathering give them the opportunity to examine their life, to criticize one another on their achievements.

Pain, not just war, makes strange bedfellows. In bed, APRIL SANCHEZ and JENNA BRYANT hatch a plan to turn the plot of Hitchcock's "Strangers on a Train" into reality. The two women, who met by accident in a bar, quickly became secret lovers, and shared not only their bodies, but their innermost anger and sorrow. Now, they will each kill the others' "spouse"; and since there is no connection between the two, no one will suspect them. The Perfect Murder. But, true to any Hitchcock movie, things are not always what they seem to be.

Con man Ray Elliot decides to leave crime behind to start a company that sells fake alibis to clients who have been unfaithful to their significant others. It seems that the streetwise Ray has found his calling, until he unexpectedly becomes a murder suspect in a case involving one of his most influential customers. Now, as the police and an assassin called "The Mormon" track Ray, he and his attractive assistant, Lola, must clear their own names.

Georgie Minnelli confronts Lucky Moore, his old childhood enemy, for interfering in his pinball machine racket. Georgie waves a gun in Lucky's face, but Lucky isn't intimidated. A cop named Larkin has just been made lieutenant, and Larkin vowed long ago that if either of these hated rivals turns up dead, the other had better have a good alibi. Georgie couldn't possibly get away with it. But Lucky has pushed Georgie too far and his old enemy shoots him dead anyway. Now the young gangster is desperate for an alibi. But getting one won't be easy.