Is anger eternal? Righteous? Reflections on the causes and consequences of an phenomenon critical to our intimate and public lives. From Aristotle to Martha Nussbaum, philosophers have explored the moral status of anger. We get angry for a reason: we feel wronged. That reason can be eternal, some argue, because not even an apology or promise that it won't happen again can chang...(展开全部)

Unfortunately, readers who finally realise that they need to work on their anger don't always have the patience to page through a complicated set of exercises, or make a commitment to a lengthy process with the promise of a positive outcome somewhere down the road. Thankfully, the new model of anger control introduced in THE ANGER CONTROL WORKBOOK is based on a radically simp...(展开全部)

Unfortunately, readers who finally realise that they need to work on their anger don't always have the patience to page through a complicated set of exercises, or make a commitment to a lengthy process with the promise of a positive outcome somewhere down the road. Thankfully, the new model of anger control introduced in THE ANGER CONTROL WORKBOOK is based on a radically simp...(展开全部)

Under Joe Solmonese's leadership, the Human Rights Campaign became the model other organizations look toward to create effective social and political change.

Play in three acts by John Osborne, performed in 1956 and published in 1957. A published description of Osborne as an "angry young man" was extended to apply to an entire generation of disaffected young British writers who identified with the lower classes and viewed the upper classes and the established political institutions with disdain. Although the form of the play was not...(展开全部)

Dr. Bowlby's second pioneering volume examines the effect of seperation on the development of the child and the psychopathology that often follows seperation.

Play in three acts by John Osborne, performed in 1956 and published in 1957. A published description of Osborne as an "angry young man" was extended to apply to an entire generation of disaffected young British writers who identified with the lower classes and viewed the upper classes and the established political institutions with disdain. Although the form of the play was not...(展开全部)

Look Back in Anger has its unarguable importance as the beginning of a revolution in the British theatre, and as the central and most immediately influential expression of the mood of its time, the mood of the "angry young man". ----John Russel Taylor When the play was first produced by the English Stage Company London's Royal Court Theatre, Kenneth Tynan wrote in the Observer:...(展开全部)

Look Back in Anger has its unarguable importance as the beginning of a revolution in the British theatre, and as the central and most immediately influential expression of the mood of its time, the mood of the "angry young man". ----John Russel Taylor When the play was first produced by the English Stage Company London's Royal Court Theatre, Kenneth Tynan wrote in the Observer:...(展开全部)