Caught in time, a trio of prehistoric characters lives around a dolmen. One of them, who is hyperactive, tries to stir his mates emotions with inventions and works of art. A strange object made out of bone, which re frames reality, will trigger greed and envy in them. Super 8 allegorical on Portugal, and the collective behavior of its people.

A king whose beard is long and beloved. An aspiring barber looking for acknowledgement. A kingdom unaware of the dark secret behind their ruler's lush beard.

This absurd story, bordering on the drawing-room comedy, portrays the practices of abusing power and the insolence of bureaucracy through the revolting of a young designer-engineer of the Railway Tilting Examination Board. The ambitious Pócsik works persevearingly on how to compensate for the tilting of railway carriages in bends. His jealous bosses, however, use their best efforts to block the development of an innovation.

Mary enters the glitzy world of awards and prizes. There are hundreds: not just for books and movies, but poetry, museums and gardens. How do they influence what art is created and what culture we consume? And has the pandemic helped us see beyond the glamour and red carpets and reassess what prizes are for? Mary talks to Emmy-nominated actor Brian Cox and Bernardine Evaristo, who last year shared the Booker Prize with Margaret Atwood. Written by BBC

Mary enters the glitzy world of awards and prizes. There are hundreds: not just for books and movies, but poetry, museums and gardens. How do they influence what art is created and what culture we consume? And has the pandemic helped us see beyond the glamour and red carpets and reassess what prizes are for? Mary talks to Emmy-nominated actor Brian Cox and Bernardine Evaristo, who last year shared the Booker Prize with Margaret Atwood. Written by BBC

In this 2x60' series, Prof. Mary Beard turns her quizzical eye on the most enduring subject in all of art: the Nude human figure. It seems paradoxical but also inevitable that in a ‘clothed’ society like ours we should have made and collected so many images of naked bodies now and in the past. Mary sets out to explore why and, although it’s a simple question, the answers she’ll uncover are far more complex and intriguing than we might at first imagine. Across the two episodes, Mary will take in a huge range of images; reinterpreting star artworks like Manet’s Olympia and Michelangelo’s David while shining a light on the hidden corners of image making. 　　Mary will also encounter artists and image-makers today and question our own attitudes to nudity and nakedness. For Mary, the nude figure is all too often taken for granted as a staple of art: some see it simply as an object of beauty, the wonder of the human form stripped to its essence, for others it is a fierce battleground of gender politics and power play. Mary will go beyond these extremes, reflecting on the changing history of the way people have looked at and understood the naked human form and uncovering the forces that have kept the naked human form in the frame of art for thousands of years.

Mary Beard looks at some of the most famous nudes in art, from the Venus de Medici to Michelangelo's David, and argues controversy is nothing new.

Mary Beard looks at some of the most famous nudes in art, from the Venus de Medici to Michelangelo's David, and argues controversy is nothing new.

In this 2x60' series, Prof. Mary Beard turns her quizzical eye on the most enduring subject in all of art: the Nude human figure. It seems paradoxical but also inevitable that in a ‘clothed’ society like ours we should have made and collected so many images of naked bodies now and in the past. Mary sets out to explore why and, although it’s a simple question, the answers she’ll uncover are far more complex and intriguing than we might at first imagine. Across the two episodes, Mary will take in a huge range of images; reinterpreting star artworks like Manet’s Olympia and Michelangelo’s David while shining a light on the hidden corners of image making. 　　Mary will also encounter artists and image-makers today and question our own attitudes to nudity and nakedness. For Mary, the nude figure is all too often taken for granted as a staple of art: some see it simply as an object of beauty, the wonder of the human form stripped to its essence, for others it is a fierce battleground of gender politics and power play. Mary will go beyond these extremes, reflecting on the changing history of the way people have looked at and understood the naked human form and uncovering the forces that have kept the naked human form in the frame of art for thousands of years.