Mexico’s half-forgotten B-movie master, “involuntary surrealist” Juan Orol (1897–1988), receives a pitch-perfect tribute in this deft, irresistible love letter to a self-made man of showbiz whose career spanned half a century and nearly 60 films. Abetted by an all-pro cast, del Amo’s brilliant interpretation of Orol’s life exudes a droll underdog charm, and almost every frame is an infectious homage to the golden age of cinema, the wiles of memory, and the art of fantasy.

Juan Orol, was born in Galicia, Spain at the end of the XIX Century. As a child, his mother sent him away to Cuba, looking for a relative he never found. He grew up wildly and encroached in many disciplines such as baseball, boxing, race cars and bull fighting, this last career effort moved him to Mexico, where he got married and started a new life as a cop. After the Cristiada War, he widowed and looked for an opportunity in Mexican Cinema where he hit the jackpot on his first feature and became the main B Side exponent of the GOLDEN AGES of Mexican movie industry in the 20th Century.Written by Alejandro Blazquez

20 年来，他已指示更多比马丁 · 斯科塞斯的电影，他产生了更有利可图比杰里布鲁克海默的电影，他已经激怒了更多的演员比阿尔弗雷德 · 希区柯克。最终的 B 电影纪录片，侧重于 B 电影巨头吉姆 Wynorski (和 B 电影庆祝导师)，他试图在 3 天内做出一部故事片。他是定向七十部影片，但他却从来没有一个人......在三天内。吉姆削减的拍摄日程，有自己做饭的演员。B 电影传奇 Roger 科曼，Andy Sidaris，朱莉应变，朱莉 K.纪录片史密斯和丹尼尔，马铃薯

Venice Classics

瘦削的碧丽霞在“危险酒吧”将客人们弄得醉醺醺；严肃的尼克· 凯夫在柏林家中的墙上集满了“德国哥特音乐”海报…… 在围墙和防火墙之间，在新式和旧式建筑之间，在马尼亚D（Mania D）和韦斯特班姆（Westbam）的音乐之中，来自英国曼彻斯特的音乐人、厂牌制作人和军事狂人马克· 里德为柏林的电子乐所着迷，于上世纪七十年代末来到这里。所幸的是，他所经历的一切都被影片记录了下来。 由约尔格· A · 霍佩、克劳斯· 梅克和海科· 朗格联合制作的电影《B级片：西柏林的欲望与声音1979-1989》收录了详实的影像和声音资料，既是一部纪录片，也是对那个时代的礼赞。对于所有经历过这段时光的人来说，这都是一次时空穿越、令人窒息的昨日重现。而对于所有那些不知暗流何时开始萌动，或是以为那些辉煌都是1990年以后才开始的后来人，这部电影也一定能够开阔他们的视界。

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In this extreme yet devastating testament to the loneliness of human existence, an older domestic woman, heartbreakingly rendered by Gence, is approached in the kitchen after a party by a young, gay man seeking affection. She is later offered money to act as his mother and becomes emotionally involved in a milieu unfamiliar to her.

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