Venice Classics

2022 年 10 月，在一次录音过程中，皮耶罗・佩卢因突发意外晕倒，这导致他的听觉神经永久性受损，并患上严重抑郁。那 “内心的喧嚣” 反而成了一个被迫的契机：让他停下脚步，重新联结自我、重塑内心，进而创作了一张献给 “我们内心荒芜” 的新专辑。 完全沉浸在自己的私密世界中，这位意大利摇滚界的领军人物，重新找到了方向。 影片以佩卢参与的一项活动为重要节点 —— 他每年都会前往卡马尔格地区的圣马利亚德梅村，参加吉普赛人的朝圣之旅，以纪念旅行者的保护神萨拉 - 拉 - 卡利（黑萨拉）。这部作品由此成为一部公路片，也映射了他四十余年来在意大利音乐界作为自由无畏的存在、始终 “不循常规” 的人生历程。

Mexico’s half-forgotten B-movie master, “involuntary surrealist” Juan Orol (1897–1988), receives a pitch-perfect tribute in this deft, irresistible love letter to a self-made man of showbiz whose career spanned half a century and nearly 60 films. Abetted by an all-pro cast, del Amo’s brilliant interpretation of Orol’s life exudes a droll underdog charm, and almost every frame is an infectious homage to the golden age of cinema, the wiles of memory, and the art of fantasy.

Juan Orol, was born in Galicia, Spain at the end of the XIX Century. As a child, his mother sent him away to Cuba, looking for a relative he never found. He grew up wildly and encroached in many disciplines such as baseball, boxing, race cars and bull fighting, this last career effort moved him to Mexico, where he got married and started a new life as a cop. After the Cristiada War, he widowed and looked for an opportunity in Mexican Cinema where he hit the jackpot on his first feature and became the main B Side exponent of the GOLDEN AGES of Mexican movie industry in the 20th Century.Written by Alejandro Blazquez

20 年来，他已指示更多比马丁 · 斯科塞斯的电影，他产生了更有利可图比杰里布鲁克海默的电影，他已经激怒了更多的演员比阿尔弗雷德 · 希区柯克。最终的 B 电影纪录片，侧重于 B 电影巨头吉姆 Wynorski (和 B 电影庆祝导师)，他试图在 3 天内做出一部故事片。他是定向七十部影片，但他却从来没有一个人......在三天内。吉姆削减的拍摄日程，有自己做饭的演员。B 电影传奇 Roger 科曼，Andy Sidaris，朱莉应变，朱莉 K.纪录片史密斯和丹尼尔，马铃薯

一名保安被他称为 F 女士的性感房客迷住了。他的性幻想将他带到了一个极端，这将永远改变他和他妻子的生活。

一名保安被他称作 F 女士的性感租客深深吸引。他的性幻想逐渐走向极端，而这一变化将永远改变他和他妻子的生活轨迹。

Vidura’s newest hour of standup. It involves many anecdotes from his childhood, an ego-death in the desert, and a parable featuring a talking clay pot.