夜知春亮（梶裕贵 配音）只是一介平凡无奇的少年，就读于私立大秋高中的他过着味同嚼蜡的独生生活。某日夜里，春亮发觉厨房里有不同寻常的响动，本以为家里进了小偷的春亮却意外发现了一个没穿衣服的少女。 　　少女名叫菲娅（田村由加莉 配音），是化为人形的诅咒道具，一番波折之后，诅咒对其无效的春亮和菲娅开始了“幸福甜蜜”的同居生活。之后，黑长直萝莉人形原黑绘（小仓唯 配音）、迷迷糊糊的萨文蕾提（井口裕香 配音）、天才美少女童星樱参白穗（斋藤千和 配音）等祸具少女接二连三的出现在了春亮的身边。她们所要面对的，是一心想要找到并将她们破坏殆尽的神秘组织，而普通人春亮亦被卷入其中。

A strange race of human-like marsupials appear suddenly in Australia, and a sociologist who studies these creatures falls in love with a female one. Is this a dangerous combination?

Mario is at home alone. His parents are gone and it will take them a while to return. Enough time for their son to arrange a sex date on the Internet with a total stranger.

这是一档家庭教育观察节目，由家庭实景录制+明星观察室构成。以“生活实录”方式对孩子进行日常纪录，通过外拍方式呈现，结合观察室内主持人、明星嘉宾、育儿专家、家长代表的教育理念，从不同层面解析孩子事件、行为，并给出适合的教育方式。

这是一档家庭教育观察节目，由家庭实景录制+明星观察室构成。以“生活实录”方式对孩子进行日常纪录，通过外拍方式呈现，结合观察室内主持人、明星嘉宾、育儿专家、家长代表的教育理念，从不同层面解析孩子事件、行为，并给出适合的教育方式。

春的伴侣、精神科医生宗一郎离开了她。春碰巧帮助了一位失忆的陌生年轻男人。春的弟弟毅是一位说唱歌手，他的妻子美香子支持着他的事业，同时抚养他们的孩子。美香子因为心理疾病求助于宗一郎。在毅的一次现场表演上，毅和宗一郎陷入争执。年轻男人离开了春，而美香子离开了毅……

春的伴侣、精神科医生宗一郎离开了她。春碰巧帮助了一位失忆的陌生年轻男人。春的弟弟毅是一位说唱歌手，他的妻子美香子支持着他的事业，同时抚养他们的…

青梅突然毁婚约，心上人竟被自己妹妹抢走，痴情女在心上人订婚礼上饮下毒酒后，却意外获得来自高维空间推移时间的能力，此刻她选择为爱而生，但必须与爱人接吻三次，才能真正获得重生......

Synopsis 　　Ian is a struggling actor who finds himself in the unconventional role of a professional mourner. As he tours the Northern Irish countryside, his practiced mask of apathy begins to slip amongst the humour and heartache of the local funeral circuit. 　　Director’s statement 　　Three Keenings is centered on the tradition of “keening”, a mostly forgotten form of vocal lament for the dead in Gaelic Celtic culture, where members of the community unrelated to the deceased would gather and create a tangibility to the abstract space often left by grief and express it on behalf of the family. As with many traditions and religious practices, taking a step back and looking at them through a different lens, we see the humour and at times the absurdity amongst the earnestness and ceremony. In my previous work, I have experienced how families deal with illness and death and I have witnessed how tragedy can oftentimes go hand in hand with grim humour and cynicism. I wanted to explore this feeling in making this short film.

二零二二年三月二日至五日，十二月四日及二零二三年二月二十六日，三次来到泉州。