Fully restored edition of Anthony Burgess' original text of A Clockwork Orange, with a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews Edited by Andrew Biswell With a Foreword by Martin Amis 'It is a horrorshow story ...' Fifteen-year-old Alex likes lashings of ultraviolence. He and his gang of friends...(展开全部)

Only by finding and focusing on a core mechanism can you further your pursuit of elegance in strategy game design. Clockwork Game Design is the most functional and directly applicable theory for game design. It details the clockwork game design pattern, which focuses on building around fundamental functionality. You can then use this understanding to prescribe a system for buil...(展开全部)

Only by finding and focusing on a core mechanism can you further your pursuit of elegance in strategy game design. Clockwork Game Design is the most functional and directly applicable theory for game design. It details the clockwork game design pattern, which focuses on building around fundamental functionality. You can then use this understanding to prescribe a system for buil...(展开全部)

Fully restored edition of Anthony Burgess' original text of A Clockwork Orange, with a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews Edited by Andrew Biswell With a Foreword by Martin Amis 'It is a horrorshow story ...' Fifteen-year-old Alex likes lashings of ultraviolence. He and his gang of friends...(展开全部)

在线阅读本书 "Anthony Burgess reads chapters of his novel A Clockwork Orange with hair-raising drive and energy. Although it is a fantasy set in an Orwellian future, this is anything but a bedtime story." -The New York Times Told by the central character, Alex, this brilliant, hilarious, and disturbing novel creates an alarming futuristic vision of violence, high technology, an...(展开全部)

At a time when the world was falling apart— in an age of religious wars, plague, and the Great Fire of London—a group of men looked around them and saw a world of perfect order. Chaotic as it looked, these earliest scientists declared, the universe was in fact an intricate and perfectly regulated clockwork. This was the tail-end of Shakespeare’s century, and these were brillian...(展开全部)

爱德华·多尼克（EdwardDolnick） 美国作家，曾任《波士顿环球报》科学专栏作家。文章散见《大西洋月刊》《纽约时报杂志》《华盛顿邮报》等，著有《救援艺术家》《伪画家的技能》等书，其中《救援艺术家》一书获得2006年爱伦·坡奖（佳犯罪实录类）。对于写作《机械宇宙》一书，具有麻省理工学院数学硕士学位的他形容自己“再次回到自己的根源”。

At a time when the world was falling apart— in an age of religious wars, plague, and the Great Fire of London—a group of men looked around them and saw a world of perfect order. Chaotic as it looked, these earliest scientists declared, the universe was in fact an intricate and perfectly regulated clockwork. This was the tail-end of Shakespeare’s century, and these were brillian...(展开全部)

爱德华·多尼克（EdwardDolnick） 美国作家，曾任《波士顿环球报》科学专栏作家。文章散见《大西洋月刊》《纽约时报杂志》《华盛顿邮报》等，著有《救援艺术家》《伪画家的技能》等书，其中《救援艺术家》一书获得2006年爱伦·坡奖（佳犯罪实录类）。对于写作《机械宇宙》一书，具有麻省理工学院数学硕士学位的他形容自己“再次回到自己的根源”。