Cristiano Ronaldo: The World at His Feet follows the footballer from his beginnings in Portugal, breakthrough start with Manchester United and current career at Real Madrid.

【天下足球罗纳尔多退役特辑】，2月21日、2月28日和3月4日共三期播出，分别为《俱乐部篇》《国家队篇》《进球篇》。

英国天空体育制作的C罗纪录片，全方位解析C罗的超强身体及无敌足球技能。

英雄Crane解救了被恶魔Zaal奴役的人们，自己却被刺中了心脏，血流了七天七夜，一百个人喝了他的血，继承了他的强健，野蛮人一族也由此诞生。但Zaal每一千年就复活一次，蒂娜需要一个普通人喝下一碗汇集所有野蛮人的血来完成转变。军阀Volcazar想要通过这次机会变成恶魔称霸Metalonien大陆。他进攻了野蛮人村子，抓走了几乎所有的野蛮人，却漏掉了瘦小胆怯的Ronal。在命运的驱使下，拯救同胞生命的艰巨任务就落在了他的肩膀上。叔叔临终前告诉Ronal去找北方的预言者帮忙，没有自信的他只能启程。 　　但英雄的冒险之旅从来就不会孤单，游唱团主唱Alibert加入了他。途中又结识了一心想找一个能打败自己的丈夫的的Zandra女战士，在其他村子里又找到了精灵向导Elric。要获得胜利，Ronal的前方可谓困难重重.....

改编自巴西批判现实主义小说家拉莫斯的名著，由新浪潮导演Leon Hirszman执导，是70年代巴西新电影运动中最激进的作品之一，但无疑也是一部难得的杰作。影片获柏林电影节新电影论坛国际奖及多项巴西国家电影奖。Hirszman拍完此片后被迫流亡智利。 　　The most provocative Novo film of the 1970s, São Bernardo (1972), directed by Leon Hirszman (who died of AIDS at 49, in 1987), is based on a novel by Graciliano Ramos, author of Barren Lives, and was released at a time when Brazilian porno films were beginning to flood the market. Shot with a lean visual style that recalls Bresson, São Bernardo is an absorbing morality play about cutthroat capitalism whose protagonist, a brutal plantation owner, had come to power through force and murder, like the military rulers of Brazil. After its release, the director lived abroad for several years. 　　The story of Paulo Honório, a poor kid who becomes a rich farmer. Obsessed by his desire to get even richer, he doesn't pay much attention to his wife, Madalena, a teacher who reacts against his tyrannical ways. Based on the great brazilian realism writer Graciliano Ramos' novel. 　　Leon Hirszman (1938-1987) is one of Brazil's best-known film directors. Mr. Hirszman directed the 1967 film "Garota de Ipanema" ("The Girl From Ipanema"), which he once described as "my only film made to make money." 　　Born in Rio de Janeiro on Nov. 22, 1937, Mr. Hirszman left Brazil in 1974 at a time of increasing political repression, to live in Chile for two years. Mr. Hirszman won an award at the Venice Film Festival in 1981 with his film "Eles Nao Usam Black Tie" ("They Don't Wear Black Tie"). The film was chosen as "best picture of the year" in Brazil and Mr. Hirszman was also named as best director. 　　His first major film, "A Falecida" ("The Deceased"), won a special jury award at the International Film Festival of Rio de Janeiro in 1965. In 1970, he directed "Sao Bernardo," which is considered a classic in Brazil. His last film, "Imagens do Inconsciente" ("Images of the Unconscious") is to be released in Brazil in November.

Chock full of wondrous musical segments (not all of them on the concert stage) and some choice bits of post-Beat tomfoolery, rendered by a cast of musicians, actors and veteran exhibitionists rapidly approaching their 'Sell by' date, Renaldo & Clara is a four-hour expedition into the deepest recesses of Bob Dylan's vanity; a film projectile of wildly uncertain velocity and direction... concert doco, avant-garde aspirant, Theater of Ennui also-ran, and a big ol' Narcissus pool everyone can splash around in; it is all of these things... that, despite the best efforts of its director, was written off as a catastrophe by American critics upon its highly limited release in 1978.