When a vampire asks Sookie Stackhouse to use her telepathic skills to find another missing vampire, she agrees under one condition: the bloodsuckers must promise to let the humans go unharmed.

The team is despondent following the near apocalypse created by one of their own and the death of their beloved mentor Pogo. So it's a great time for another catastrophic event to rouse the team into action. Trouble is, each member of the team is distracted by some very real problems of their own. The White Violin is bedridden due to an unfortunate blow to the head. Rumor has l...(展开全部)

When a vampire asks Sookie Stackhouse to use her telepathic skills to find another missing vampire, she agrees under one condition: the bloodsuckers must promise to let the humans go unharmed.

Times are tough for this dysfunctional family of superheroes. Following the near apocalypse created by one of their own and the death of their beloved mentor, Pogo, the team is despondent. So it's a great time for another catastrophic event to rouse them into action. Trouble is, each member of the team is distracted by some very real problems of their own. The White Violin is b...(展开全部)

Umbrella Academy is Netflix's most watched show of 2019 with over 45 million viewers and a second season on the way! Catch up on the best selling comic series with this Deluxe Oversized Hardcover of the complete second series, Dallas, with the short story "Anywhere but Here" and an expanded 36-page sketchbook featuring work by Gerard Way, Gabriel Bá, designer Tony Ong, and Supe...(展开全部)

In the new paperback edition of this classic text, Liebes and Katz examine how television viewers around the world respond differently to popular television programmes, particularly Dallas. Analszing conversations among viewers in Israel, Japan and the U. S., they show that viewers possess a good deal more critical ability than they are commonly given credit for.

In the new paperback edition of this classic text, Liebes and Katz examine how television viewers around the world respond differently to popular television programmes, particularly Dallas. Analszing conversations among viewers in Israel, Japan and the U. S., they show that viewers possess a good deal more critical ability than they are commonly given credit for.

Ien Ang asks the question: what was it about Dallas that made it so entertaining and succesful, and how exactly is its entertainment constructed?