高中时期，许喃知在小巷中幸得傅时今出手搭救，从此对他一见倾心，但是两人阶级差距太过巨大。高三跨年晚会后，501宿舍夜间玩游戏，许喃知微熏着说出暗恋傅时今，却遭室友吐槽这不算什么秘密。只因傅时今太过出众，追求者众多，而傅时今也非一般的花心。

高中时期，许喃知在小巷中幸得傅时今出手搭救，从此对他一见倾心，但是两人阶级差距太过巨大。高三跨年晚会后，501宿舍夜间玩游戏，许喃知微熏着说出暗恋傅时今，却遭室友吐槽这不算什么秘密。只因傅时今太过出众，追求者众多，而傅时今也非一般的花心。

On the run from a New Jersey crime family, two brothers wend their way to Los Angeles, where they make their dream of owning a restaurant a reality. But their life in hiding life becomes complicated when their lives are torn apart by their love for the same woman.

A couple is set in their monotonous life until the husband has a homosexual affair with a young male prostitute. Suspicious of her husband, the wife seeks the truth and eventually ends up in bed with the same young man. Their desire has a new meaning.

A silver screen actress drifts in and out of her character as she longs for the love of her co-star.

DESIRE is a non-chronological collage constructed from a corpus of materials drawn from the genre of melodrama. The work, grounded in the practice of decoupage, spans approximately three decades—from 1932 to 1958—and includes titles from the United States, Argentina, Great Britain, Finland, Italy, Japan, Mexico, and Spain. 　　Desire traces both a diachronic trajectory across time and a synchronic one within time, weaving a particular history of cinema along a temporal axis that is at once specific and archetypal. History itself, though continually shifting in its spatial and temporal configurations, appears to endlessly reproduce the same figures—interpreters who, beyond the specificity of their human and historical identities, seem fundamentally unchanged in gesture, modality, and essence. This recursive logic—an endless slipping and rising, ad infinitum—emerges in the film as a desperate attempt to escape a condition of human existence, here marked as specifically feminine, subjugated by the flow of time as a secularized and systematic machinery of power. 　　The film thus unfolds as an expression of impossibility ab ovo: the impossibility of a total liberation from the archive, understood as archè—sign, origin, and principle. Even when memory is reduced to ashes, the film’s figures wander along the threshold between presence and absence, suspended within the realm of desire.

Married Alma spends a fateful weekend away from home that ignites passion, ends in tragedy and leads her to question the truth about those close to her.

Toni, a very accomplished social worker and award winning nurse, is engaged to successful physician, Dr Ralph Mallory and works in a hospital run by Ralph's father. 　　Following the death of her teenage son, Toni is acutely aware of how short life can be and is determined to live it on her terms. 　　Van, Toni's best friend also works in the hospital and has been a great support throughout her recent ordeal 　　On the surface, a well adjusted middle class woman in a stable relationship, we are soon made aware of Toni's long term longing for women and her struggle to deal with it and conform.

一对夫妇情欲开始减弱，而他们如何来应对解决？