The story revolves around Agha Jan and his two sons Behroze and Suhaib. Behroze is engaged to Agha Jan's niece Arjumand since childhood but he refuses to accept this relation and wants to marry Ruhina, who belongs to a middle-class family and is his class mate, when Agha Jan comes to know about this he tells him to either leave or marry Arjumand, Behroze leaves his father's house and Agha Jan announces that the wedding will take place as scheduled with his younger son Suhaib (who loves Laila). Arjumand denies to marry Suhaib as she treats him as her brother, however after Agha Jan pressures her she agrees. Both get married reluctantly, and Behroze marries Ruhina. Later Ruhina gives Birth to Faarah and Anjumand gives Birth to Wali and Zarmeena. Wali's Birth bring Arjumand and Suhaib close and eventually both fall in love. However after Suhaib's death (after 20 years) Behroze visits the Mansion and decides to fulfills his brothers last wish which was the marriage of their children. ...

Sila's rejects a proposal to marry her step-mother's nephew. Eventually, she runs away from her house when her parents try to force her into a marriage.

Dil-E-Nadaan (The Innocent Heart) is an Indian Hindi film directed by C.V. Sridhar, released in 1982. The film stars Rajesh Khanna in the main lead role as Anand and Shatrughan Sinha as his friend, as the second lead character of the film.[1] This film was remake of the 1978 Tamil film Ilamai Oonjal Aadukirathu, directed by C.V. Sridhar, where Kamal Hassan and Rajnikanth played the lead male roles. After the success of the Tamil version, C.V. Sridhar decided to remake it in Hindi and directed it himself.

The series is based on a story of an innocent girl Simran who is forcefully married to a rich man Vikram for money.

Seenu (Nitin) is a new admit into a college. Nandini (Neha) goes to the same college. Seenu is from a middle class family and Nandini is a rich girl. Nandini is the only daughter of Gowri Shankar (Prakash Raj), who is a land mafia don. Gowri Shankar suspects them to be lovers after he finds them dancing for freshers celebration at college. Seenu gets beaten up. Irritated by this, Seenu challenges about winning the love of Nandini. After several attempts, she falls in love with him. They elope and get married when Gowri Shankar tries to separate them. The story takes several turns before the movie ends in a happy note.

暂无剧情简介

Ram Chandra is a Tamilian who lives in a shanty hut in Bombay's Dharavi, along with his mom and a younger sister. He dream is to attend school, which he does so, after his sister is loaned out to a beggar to collect alms, but she is unable to withstand hunger for long and passes away. Ram leaves home and subsequently works hard, studies, becomes rich and constructs several colleges to accommodate needy students. One such student he accommodates is a new arrival from Allahabad, Raja, and he arranges his admission in Ram Chandra College for Business Management along with full board and shelter. He also helps Raja sort out his personal problems, including his romance with a young woman he met at the Cyber Café and then at Bandra Railway Station. While Ram Chandra is busy arranging his daughter's marriage with Rajesh Gupta, the only son of a multi-millionaire and educationist, he is quite unaware that the object of Raja's affections is none other than Roja, his very own daughter.

暂无剧情简介

Majaz- Ae Gham-e-Dil Kya Karun is a biopic on the life of Asrarul Haq Majaz Lakhnavi. This film depicts the story of a poet and his throes with professional life, setback with love and fragmentation with family. The film brings back the classic era of lost realms related to culture, heritage and relationships. It is a love story circumscribed with different shades of issues which twists the life of the characters.

Kusam Desai moves from Pune to Bombay with her new husband and family friend Vimal, who does not live up to her expectations. After discovering Vimal's love with Sapna, they must use the Hindu Marriage Act of 1955 in order to obtain a divorce, which is culturally stigmatized.