In the Wild West in the 1860s and 1870s, Sarah and John have founded New Babylon, a city of outcasts of all backgrounds. Haunted by the murder of his family eight years earlier, Django is still looking for his daughter, believing she may have survived the killing. When Django shockingly finds her in Babylon, about to marry John, Sarah - now a grown woman - wants Django to leave fearing he'll put Babylon in jeopardy. But Django, believing the city is in danger, is adamant that he will not lose his daughter twice.

With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.

Using film as a material for building a model means necessarily foregoing the copying function, and as it were playing with the possibilities within a specific framework, contents and conditions of film itself.

Using film as a material for building a model means necessarily foregoing the copying function, and as it were playing with the possibilities within a specific framework, contents and conditions of film itself.

Burn-out and depression are not individual phenomena but collective ones. The film is an invitation to rest through images and listening, so as to transform individual exhaustion into shared power to act.

Burn-out and depression are not individual phenomena but collective ones. The film is an invitation to rest through images and listening, so as to transform individual exhaustion into shared power to act.

Six eager students strike out to explore and record live footage of supernatural activity at an abandoned plantation, but one unsettled spirit gives them more than they asked for.

三个落魄的电影人打算拍一个样片拉投资，却在拍摄过程中卷入一起绑架案，然而他们发现事情另有真相，面对突如其来的危险和诱惑，三人必须做出选择，最终他们靠着自己的专业和智慧，跌跌撞撞的破获了一起珠宝劫案……

三个落魄的电影人打算拍一个样片拉投资，却在拍摄过程中卷入一起绑架案，然而他们发现事情另有真相，面对突如其来的危险和诱惑，三人必须做出选择，最终他们靠着自己的专业和智慧，跌跌撞撞的破获了一起珠宝劫案……