In Dough, women are squished alone into tiny compartments like boxed jewels or battery farm hens. With their cells linked by a system of tubes, shoots and holes, they all perform bizarre functions in a production line. This culminates with a teardrop drawn by sniffing flowers, which runs down a huge woman's dimpled legs and then drips off her toe through a hole in the floor to impregnate a lump of dough beneath, which is then vacuum-packed. It shows a neat division of labour in the creation of pointless products, with implications that reach way beyond the beauty industry, to capitalism's mindless cycle of production and consumption. Rottenberg's boxed-in workforce has much to say about a culture that at once idolises, fetishises and exploits women's bodies – from female sweatshop workers to the desirable distortions of pin-up girls. Works like Dough first made the Buenos Aires-born, New York-based artist's name in the mid-2000s. More recently, she's broadened her vision, tackling globalisation and a shrinking world. 　　https://www.guggenheim.org/artwork/17312

For the “Dough Boys” every day is a struggle to survive. Determined to make something of their lives, these four friends work any hustle no matter how risky. But when they bite off more than they can chew, their loyal bond is tested as they fight to stay alive. Now, the rules of the street that they live by are the very rules that could destroy them.

For the “Dough Boys” every day is a struggle to survive. Determined to make something of their lives, these four friends work any hustle no matter how risky. But when they bite off more than they can chew, their loyal bond is tested as they fight to stay alive. Now, the rules of the street that they live by are the very rules that could destroy them.

Follows pizza competitors from all walks of life to showcase their pizza slinging skills and battle it out for $10,000.

Follows pizza competitors from all walks of life to showcase their pizza slinging skills and battle it out for $10,000.