一部当代喜剧，讲述的是两个人在他们之前的恋情以丑陋的方式破裂时相遇。他们不顾一切地试图重启他们的浪漫命运，罔顾事实，无视比中国阅兵中看到的更多危险信号，只为与彼此重新开始。然后，他们的新生活才过了10天，就开始了，爱的车轮开始以滑稽而又出人意料的方式离开……

KinKi Kids在2017年迎来了出道20周年，并且时隔多年登上了2016-2017的有日本春晚之称的红白歌会舞台。去年11月的songs后不少观众表示希望更多的了解二人，于是我们继续青睐斋藤工做旁白，来展现更多的这个二人组合的传奇色彩。

KinKi Kids在2017年迎来了出道20周年，并且时隔多年登上了2016-2017的有日本春晚之称的红白歌会舞台。去年11月的songs后不少观众表示希望更多的了解二人，于是我们继续青睐斋藤工做旁白，来展现更多的这个二人组合的传奇色彩。

For Sebastian Silverberg life is all about his appearance, partying and his enormous ego. Things are going smoothly when an accident leaves him blind, forcing him to re-evaluate his life and to seek meaning beyond appearances.

6 min

6 min

Meltwater flowing down the mountainside becomes a wild, churning river. Silhouettes battle desperately against the rushing water so as not to be swallowed up. Vast cloudscapes glide at speed over the Armenian highlands. 　　In this, his last collaboration with cameraman Mikhail Vartanov, Artavazd Pelechian captures a reclusive peasant community in its unceasing battle with the elements. In spring, they migrate into the mountains with their herds. When summer ends they harvest the hay—creating a dusty avalanche of bales. In winter, it is the shepherds themselves, hanging on to their sheep, who roll down the mountains in the snow. Accompanied by Vivaldi’s The Four Seasons, these highland dwellers perform feats of pure survival. 　　This is humanity, trapped in a brutal but stunningly beautiful existence. To the melodic rhythms of camerawork, montage, and a lyrical score, Pelechian and Vartanov elevate it into a full-blown symphony—a symphony of being.

Meltwater flowing down the mountainside becomes a wild, churning river. Silhouettes battle desperately against the rushing water so as not to be swallowed up. Vast cloudscapes glide at speed over the Armenian highlands. 　　In this, his last collaboration with cameraman Mikhail Vartanov, Artavazd Pelechian captures a reclusive peasant community in its unceasing battle with the elements. In spring, they migrate into the mountains with their herds. When summer ends they harvest the hay—creating a dusty avalanche of bales. In winter, it is the shepherds themselves, hanging on to their sheep, who roll down the mountains in the snow. Accompanied by Vivaldi’s The Four Seasons, these highland dwellers perform feats of pure survival. 　　This is humanity, trapped in a brutal but stunningly beautiful existence. To the melodic rhythms of camerawork, montage, and a lyrical score, Pelechian and Vartanov elevate it into a full-blown symphony—a symphony of being.