On an autumn day in the new millennium, Yun-beom, a print shop worker, visits his wife Eun-ju’s hometown with Eun-ju and their daughter Yi-young ahead of immigrating to the United States. Twenty-four years later, Yun-beom and Yi-young return to the hometown, retracing their memories of time gone by.

This László Vitézy documentary examines the sensitive topic of drug use in Hungary. The work, dating from 1988, was the first to give a voice to disadvantaged individuals whose very existence had been a taboo. In addition to unpicking the tragic personal stories of drug users just surviving on the fringes of late Kádár-era society, another important purpose of the film was that it investigated the ‘official’ side of the problem as well. It is evident from what those interviewed had to say that meaningful steps were put off for decades by the fact that the whole issue of drugs was a forbidden subject in Hungary.

A travelling theater troupe, led by Umagoro Ichikawa, comes to play in a mining town, and manages to sell every seat. Before the play begins, however, a miners' strike is announced, creating an uproar. In addition, the players find they have been cheated out of their profits by a crooked impresario.

This intimate documentary unpacks Michael V. Smith's journey as a self-described sissy with a body he found humiliating as he developed his art to become a radical drag performer and genderqueer artist. A unique blend of DIY documentary, road trip, performance art, and videopoem, this amusing self-portrait sources Smith's provocative art practice to examine a lifetime of untrue stories about his body. One featured project includes Smith on a road trip on British Columbia's Sunshine Coast, searching for famed Canadian singer Joni Mitchell, while dressed as Peanut the Clown.

The implementation of new national policies has changed the landscape of traditional Chinese industry; here, the struggles of the underclass are revealed through this observation of daily life in a cotton mill.