“A #GIRLBOSS is in charge of her own life. She gets what she wants because she works for it.” The first thing Sophia Amoruso sold online wasn’t fashion—it was a stolen book. She spent her teens hitchhiking, committing petty theft, and dumpster diving. By twenty-two, she had resigned herself to employment, but was still broke, directionless, and working a mediocre day job she’d...(展开全部)

“A #GIRLBOSS is in charge of her own life. She gets what she wants because she works for it.” The first thing Sophia Amoruso sold online wasn’t fashion—it was a stolen book. She spent her teens hitchhiking, committing petty theft, and dumpster diving. By twenty-two, she had resigned herself to employment, but was still broke, directionless, and working a mediocre day job she’d...(展开全部)

Mean girl feminism encourages girls and women to be sassy, sarcastic, and ironic as feminist performance. Yet it coopts its affect, form, and content, from racialized oppression and protest while directing meanness toward people in marginalized groups. Kim Hong Nguyen examines four types of white mean girl feminism prominent in North American popular culture: the bitch, the mea...(展开全部)

Mean girl feminism encourages girls and women to be sassy, sarcastic, and ironic as feminist performance. Yet it coopts its affect, form, and content, from racialized oppression and protest while directing meanness toward people in marginalized groups. Kim Hong Nguyen examines four types of white mean girl feminism prominent in North American popular culture: the bitch, the mea...(展开全部)