This experimental documentary is a compendium of striking images of Eastern Europe and its citizens in transition, following the collapse of the so-called Cold War. Places as diverse as Baltic beaches, and Moscow's snow-covered streets vie for attention along with the citizens of these places as they wait in lines, march in military formation, or stand idle in the waiting rooms of train stations. There is no narration, and no clear point (except the idea of transitions) is indicated by the beautifully chosen, enigmatic imagery. Indeed, there is not even much musical accompaniment. Fans of director Chantal Akerman's aggressively "non-commercial" work are likelier to find this film more appealing than the average viewer will.

This experimental documentary is a compendium of striking images of Eastern Europe and its citizens in transition, following the collapse of the so-called Cold War. Places as diverse as Baltic beaches, and Moscow's snow-covered streets vie for attention along with the citizens of these places as they wait in lines, march in military formation, or stand idle in the waiting rooms of train stations. There is no narration, and no clear point (except the idea of transitions) is indicated by the beautifully chosen, enigmatic imagery. Indeed, there is not even much musical accompaniment. Fans of director Chantal Akerman's aggressively "non-commercial" work are likelier to find this film more appealing than the average viewer will.

This experimental documentary is a compendium of striking images of Eastern Europe and its citizens in transition, following the collapse of the so-called Cold War. Places as diverse as Baltic beaches, and Moscow's snow-covered streets vie for attention along with the citizens of these places as they wait in lines, march in military formation, or stand idle in the waiting rooms of train stations. There is no narration, and no clear point (except the idea of transitions) is indicated by the beautifully chosen, enigmatic imagery. Indeed, there is not even much musical accompaniment. Fans of director Chantal Akerman's aggressively "non-commercial" work are likelier to find this film more appealing than the average viewer will.

This film is a very short story about a former rescue worker returning from Tokyo – a man who is quite successful in his everyday life, and who, after hearing about another earthquake in Japan, dropped everything and went there to help. He is flying back home in an almost empty plane. Indeed, many regular flights have been canceled, and the ones that are still operated do not sell out. He is flying back with a very elderly Japanese man he had just saved – the man is now all alone in the world, his family had died. And the two men somehow clicked. Perhaps because our main character is also lonely. Also flying with them on the plane are those who are no longer here.Those who did not survive the disaster. Together with the characters, their past moves through space – their memories, their world. The world that is no less, but perhaps even more important for them than the reality.

这是2002年昂西动画节开幕短片，时长33秒钟。 　　在灰暗的大教堂里，夕阳的余晖穿过一扇接一扇的窗户，一个修士在欢快地音乐中奔跑前进着。在每扇阳光照射的大窗户下，他都会停顿一下，摆出可爱的造型，墙上出现不同动物的投影。修士忘情地追赶着落日余晖，一直跑到了教堂顶楼，他在夕阳下的样子就像一只展翅翱翔的飞鸟。

异星科技，人类武修，两个世界的碰撞和交锋。巅峰强者，异星惨败，重生高中时代！这一世，唐明决定强势崛起，守护世界。前世女神，天才少女，性感老师，长腿御姐，异国公主统统收入麾下！

异星科技，人类武修，两个世界的碰撞和交锋。巅峰强者，异星惨败，重生高中时代！这一世，唐明决定强势崛起，守护世界。前世女神，天才少女，性感老师，长腿御姐，异国公主统统收入麾下！

安德烈（斯坦尼斯拉夫·柳布申 Stanislav Lyubshin 饰）是一名哲学教师，他的脑海里塞满了高深莫测的哲学思想，因为整日沉迷与这些思想之中，安德烈的行为显得有些疯疯癫癫的，虽然所有人都当安德烈是异类，可唯独他自己觉得自己正常的很。 　　安德烈有一位熟识的医生好友，在聚会中，医生建议安德烈去乡下好好的休养生息，与此同时，一封来自故乡的信件最终促成了安德烈的返乡之旅。可是，家乡熟悉的环境和丰饶的水土并没能够缓解安德烈的症状，反而加重了他的病情，令他眼前时时出现诡异的幻觉。这幻觉折磨的安德烈整日茶饭不思，整个人迅速的消瘦衰弱下去。

故事发生在1970年代，乔治.克汉是一个生活在英国索尔弗德市的巴基斯坦人，自己经营着一家私人店铺。乔治.克汉的妻子埃拉是个地地道道的英国人，出生在英格兰西北部的兰开夏州。他们一共有七个孩子。乔治一心想让一家人遵从传统的巴基斯坦价值标准和道德观念，但无奈的是七个孩子都有他们自己的想法。对乔治来说，生活更像是一次漫长的妥协。　　顽皮的女儿米娜喜欢跟男孩子们一起踢足球而不喜欢擦脂抹粉打扮自己；嬉皮儿子沙林表面上是在学习工程学，实际上却身在艺术学校；满脑子情色浪漫的塔里克已经成了当地出名的风流浪子；萨吉德还是个乳臭未干的娃娃。纳吉尔为了不成为家庭中另一出包办婚姻悲剧的受害者，索性临阵逃脱，跑到埃克尔斯镇作起了帽子生意，自己养活自己；乔治为了让另两个儿子就范，逼着他们跟体面富有的屠户夏先生的女儿结婚……

故事发生在1970年代，乔治.克汉是一个生活在英国索尔弗德市的巴基斯坦人，自己经营着一家私人店铺。乔治.克汉的妻子埃拉是个地地道道的英国人，出生在英格兰西北部的兰开夏州。他们一共有七个孩子。乔治一心想让一家人遵从传统的巴基斯坦价值标准和道德观念，但无奈的是七个孩子都有他们自己的想法。对乔治来说，生活更像是一次漫长的妥协。　　顽皮的女儿米娜喜欢跟男孩子们一起踢足球而不喜欢擦脂抹粉打扮自己；嬉皮儿子沙林表面上是在学习工程学，实际上却身在艺术学校；满脑子情色浪漫的塔里克已经成了当地出名的风流浪子；萨吉德还是个乳臭未干的娃娃。纳吉尔为了不成为家庭中另一出包办婚姻悲剧的受害者，索性临阵逃脱，跑到埃克尔斯镇作起了帽子生意，自己养活自己；乔治为了让另两个儿子就范，逼着他们跟体面富有的屠户夏先生的女儿结婚……