仙乐斯舞厅里，头牌歌女白蔷薇向督军沈世襄暧昧靠近，然而浪漫的气氛中暗藏杀机，白蔷薇试图刺杀沈世襄未果，反而头部遭到重创失忆，沈世襄惊愕发现白蔷薇竟是自己消失了两年的前未婚妻叶青菀，叶青菀失忆后被沈世襄留在身边做贴身丫鬟，沈世襄的未婚妻秦令汐心生不满，多次使绊，却让叶青菀慢慢恢复记忆，脑中也重现当年叶家灭门惨案，而这背后似乎还有更大的阴谋....

仙乐斯舞厅里，头牌歌女白蔷薇向督军沈世襄暧昧靠近，然而浪漫的气氛中暗藏杀机，白蔷薇试图刺杀沈世襄未果，反而头部遭到重创失忆，沈世襄惊愕发现白蔷薇竟是自己消失了两年的前未婚妻叶青菀，叶青菀失忆后被沈世襄留在身边做贴身丫鬟，沈世襄的未婚妻秦令汐心生不满，多次使绊，却让叶青菀慢慢恢复记忆，脑中也重现当年叶家灭门惨案，而这背后似乎还有更大的阴谋....

影片以 20 世纪 60 年代的越南湄公河三角洲为背景，讲述了女主角 Men 经历种种磨难和失去亲人的痛苦后，重新发现爱与内心平静的坎坷人生历程。

刘德一2008就去世了，怎么可能2013，我问了老剧迷，他查到的1996年上映的，演出时间应该还要早两年，1994年出演

刘德一2008就去世了，怎么可能2013，我问了老剧迷，他查到的1996年上映的，演出时间应该还要早两年，1994年出演

“我和她相遇了……，和虽然可爱却很‘奇怪’的学姐！” 　　非常喜欢变戏法，却因为怯场而导致失败率100%！？ 　　被这样的“学姐”强行要求加入魔术部，结果还被当成“助手”使唤……。 　　把街头艺人姐弟“阿咲”和“阿正”以及化学部的“斑”都给卷入其中， 　　学姐今天也精神满满、稍微带些色气地大失败！ 　　画面太美不敢看但还是想看的笨拙戏法搞笑动画！

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

女导演温柔为编剧鱼乐讲述了一个故事，女孩温柔和男朋友小飞如胶似漆的恋爱因为一个事件而改变，故事有多少是真的？有多少是虚构？谁也不知道……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.