A fistful of drug popping ravers and an insane mental patient take a hell bent trip to an underground rave party "The Habit", being held at an abandon lunatic asylum in Salem Massachusetts. The groups plan to party all night drastically morph into chaotic hallucinations of the rave being buried deeper and deeper within a mind bending structure of massive abandonment. Decrepit walls and stairwells built to keep insanity captive, separate the group into a spiral of horrifying paradoxes, splicing nightmares into reality. In the end, one persons insanity is the others reality.

The story of the women at the "House of Sharing" continues. Old women who share a common bond lead a peaceful life in the countryside, raising vegetables, chickens and painting pictures. They are no different from the elderly women we see every day. But they are all scarred by pain and sorrow from their collective history of being comfort women during World War 2. They became subject to prejudice in their own homeland after their return to Korea. It is painful for them to watch other peoples' children and grandchildren, and they feel rage when the Japanese government tries to cover up the unspeakable crimes they committed against them. The film asks us to remember what these women sacrificed and the shame and misery they faced even as these individuals pass away often forgotten by their own people.