Endangered life is often used to justify humanitarian media intervention, but what if suffering humanity is both the fuel and outcome of such media representations? Pooja Rangan argues that this vicious circle is the result of immediation, a prevailing documentary ethos that seeks to render human suffering urgent and immediate at all costs. Rangan interrogates this ethos in fil...(展开全部)

保罗·罗伯茨：美国著名记者，文章散见于《洛杉矶时报》《华盛顿邮报》《新共和》《滚石》等知名刊物。著有《石油的终结》《食物的终结》，曾入围美国国家杂志奖、纽约公共图书馆伯恩斯坦海伦图书奖。