The film starts with a man named Cho Hyuk-rae who has perched dangerously on top of the Han River Bridge. It is a sad picture of a man who has been caught unwittingly on a security camera. The camera continues to reveal the downward spiral of Cho and those of us who surround him. The 'real' images shown through the camera keep on becoming more 'corrupted' as the time goes by.

We meet individuals from marginalized communities who describe what it was like to live through the 1918 flu pandemic. Their experiences raise questions about the pandemic: why did it kill so many people? Why were so many of the dead young adults? Where did this lethal flu come from? How can we keep a pandemic like that from occurring again? The film follows the search for answers from an expedition to Alaska in 1951 to collect tissue from bodies buried in the permafrost, to the scientists and epidemiologists working on the same questions today. It explains the relevance of research into the 1918 pandemic to the threat of current and future flu pandemics.

We meet individuals from marginalized communities who describe what it was like to live through the 1918 flu pandemic. Their experiences raise questions about the pandemic: why did it kill so many people? Why were so many of the dead young adults? Where did this lethal flu come from? How can we keep a pandemic like that from occurring again? The film follows the search for answers from an expedition to Alaska in 1951 to collect tissue from bodies buried in the permafrost, to the scientists and epidemiologists working on the same questions today. It explains the relevance of research into the 1918 pandemic to the threat of current and future flu pandemics.