Kiarostami presents two cases for talking heads to evaluate in terms of morality, rights and responsibilities. Case One: Your son is in class, sitting in the back row. His teacher is writing on the board. A restless student in the back row makes a lot of noise. Not knowing who the culprit is, the teacher makes all the children sitting in the last two rows stay outside of the class until the weekend, unless they tell him who made the noise. After a few days spent outside of the classroom, your son relents and tattles on the boy who made the noise, so he can go back in and continue learning. Was he in the right? Case Two: The other students from the back row wait out the rest of the week outside of the class, before returning. Were they in the right?

Kiarostami presents two cases for talking heads to evaluate in terms of morality, rights and responsibilities. Case One: Your son is in class, sitting in the back row. His teacher is writing on the board. A restless student in the back row makes a lot of noise. Not knowing who the culprit is, the teacher makes all the children sitting in the last two rows stay outside of the class until the weekend, unless they tell him who made the noise. After a few days spent outside of the classroom, your son relents and tattles on the boy who made the noise, so he can go back in and continue learning. Was he in the right? Case Two: The other students from the back row wait out the rest of the week outside of the class, before returning. Were they in the right?

A disturbing and gruesome shockumentary film on the real life horrors committed by psychotic killers.

A disturbing and gruesome shockumentary film on the real life horrors committed by psychotic killers.

《机械姬 Ex Machina》及《湮灭 Annihilation》的导演Alex Garland宣布为Hulu制作剧集《开发者 Devs》并获得预订，这部8集限定剧将由Alex Garland编写剧…

在陶辉新作《演技教程》中，十三位女演员有系统地复制着极端条件下的各类人的情感表现，并把这些实践视为对演技的磨练。随着制定的表演教程愈发地歇斯底里，她们的演练渐渐转变为可怕的现实，把观众丢弃在表演与现实之间的荒诞交会处。

一个资产阶级作家没有随家人撤离，而是满怀喜悦要目睹革命后的古巴现状。他流连于哈瓦那的街头，沉思并观望着这个国家的变化，然而他也不自觉地因为自己的好色风流而陷入道德危机之中。

一个资产阶级作家没有随家人撤离，而是满怀喜悦要目睹革命后的古巴现状。他流连于哈瓦那的街头，沉思并观望着这个国家的变化，然而他也不自觉地因为自己的好色风流而陷入道德危机之中。

就職できない普通の女子・森園寿々(小川あさ美)ある日、大人のおもちゃを開発する会社で働く事になる。会社は女性だけで運営していた。女社長の凛(かすみりさ)、アイデア豊富の果歩(安城アンナ)、元介護士の由梨菜(桜ここみ)、ご意見番のおばちゃん・沢木(満利江)・・・。はじめは職種に拒絶していた寿々だったが、周りの仲間の助けや、モノ作りの面白さに目醒め、新商品の開発に没頭するようになる。女性による女性のためのハートフル大人玩具開発ストーリー!

就職できない普通の女子・森園寿々(小川あさ美)ある日、大人のおもちゃを開発する会社で働く事になる。会社は女性だけで運営していた。女社長の凛(かすみりさ)、アイデア豊富の果歩(安城アンナ)、元介護士の由梨菜(桜ここみ)、ご意見番のおばちゃん・沢木(満利江)・・・。はじめは職種に拒絶していた寿々だったが、周りの仲間の助けや、モノ作りの面白さに目醒め、新商品の開発に没頭するようになる。女性による女性のためのハートフル大人玩具開発ストーリー!