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暂无剧情简介

财务李玉梅在小红书发帖吐槽“销售部的傻逼，连个LV都不肯帮我报销！”她故意卡死我的报销单，连一张发票的折痕都成了拒付理由。只因上个月，我拒绝把她新买的LV挂在我名下报销。老板拍着桌子骂我：“财务是命脉，你一个销售要懂规矩！”直到我在她帖子下，刷到那句“老板可是我干爹……”我收起眼泪，笑了。三个月后，公司最大的六千万订单突然黄了，税务局上门查封了账本。警车呼啸而来时，李玉梅尖叫着被拖走，老板在办公室瘫软倒地。而我的邮箱里，正躺着竞争对手的入职邀请。这场仗，我要让他们输得彻底。

暂无简介

暂无简介

A deadly tournament for a princess' hand, a mystic "golden deer," babies switched at birth, a raised-by-lions quasi-Tarzan; everything but the proverbial kitchen sink was thrown into this extravagant fantasy adventure. Loin-clothed foundling Arminio (Massimo Girotti) leaves the jungle he grew up in upon reaching adulthood, unknowingly commencing the fulfillment of a prophecy that will have him regain the royal throne that is his birthright. Reviving the invincible muscleman hero of popular Italian silent films, THE IRON CROWN also anticipated the "sword and sandal" craze originating from that country in the 1950s, more directly triggered by two international hits: Alessandro Blasetti's own 1949 FABIOLA (released in 1949) and, not quite a decade later, HERCULES with American bodybuilder Steve Reeves. THE IRON CROWN won the "Mussolini Cup" for Best Italian Film at the Venice Festival but wasn't released in the U.S. until years after the end of World War II. Though little-remembered today (compared to some of the films it partly inspired), it survives as a vigorous if goofy gem of all-stops-out escapism. Here, it is presented it in its original language with English subtitles, minus the clumsy dubbing of poorly re-edited versions that were seen for decades outside Italy - Dennis Harvey

A deadly tournament for a princess' hand, a mystic "golden deer," babies switched at birth, a raised-by-lions quasi-Tarzan; everything but the proverbial kitchen sink was thrown into this extravagant fantasy adventure. Loin-clothed foundling Arminio (Massimo Girotti) leaves the jungle he grew up in upon reaching adulthood, unknowingly commencing the fulfillment of a prophecy that will have him regain the royal throne that is his birthright. Reviving the invincible muscleman hero of popular Italian silent films, THE IRON CROWN also anticipated the "sword and sandal" craze originating from that country in the 1950s, more directly triggered by two international hits: Alessandro Blasetti's own 1949 FABIOLA (released in 1949) and, not quite a decade later, HERCULES with American bodybuilder Steve Reeves. THE IRON CROWN won the "Mussolini Cup" for Best Italian Film at the Venice Festival but wasn't released in the U.S. until years after the end of World War II. Though little-remembered today (compared to some of the films it partly inspired), it survives as a vigorous if goofy gem of all-stops-out escapism. Here, it is presented it in its original language with English subtitles, minus the clumsy dubbing of poorly re-edited versions that were seen for decades outside Italy - Dennis Harvey

秋叶曾经因为策划大型收购而名噪一时，但现在的他以开发应用软件为生，过着宁静自由的生活。而曾与他有过因缘的越中基金的越中仍在以原本的行事风格进行投资，大幅扩充基金规模，利用金钱操纵他人，满足自己对物质和美色的无底欲望。如今价值观迥异的二人，却因为各自截然不同的动机，而决心收购东京的中央电视台。收购是否能够成功，在虚虚实实的计谋周旋之下，二人命中注定的对决之日悄然临近。

秋叶曾经因为策划大型收购而名噪一时，但现在的他以开发应用软件为生，过着宁静自由的生活。而曾与他有过因缘的越中基金的越中仍在以原本的行事风格进行…

高野任职园境建筑师，规划涩谷宫下公园重建；露宿者被驱赶，让路予结合户外休憩与购物商场的新地标。为了工作牺牲家庭，大刀阔斧改造都市面貌，自己却家破人亡了。十年后，一盆蝴蝶兰令父子重遇，女儿已不再在乎长期缺席的父亲。重回故地，亲子关系能否重建？团冢唯我首部长片，善用建筑空间显现家庭创伤，静谧中蕴藏情感波动，再以破碎灯泡让记忆回魂。被离弃的世代游走于冷漠城市，重新审视家人之间的距离之余，亦察看一座城市于急速变形下残留的空洞。