远赴南太平洋加拉帕戈斯群岛，带你见证海狮宝宝Leo成长过程。从游水、捕鱼到寻找自己的新地盘，还要应对其他动物的威胁。

远赴南太平洋加拉帕戈斯群岛，带你见证海狮宝宝Leo成长过程。从游水、捕鱼到寻找自己的新地盘，还要应对其他动物的威胁。

远赴南太平洋加拉帕戈斯群岛，带你见证海狮宝宝Leo成长过程。从游水、捕鱼到寻找自己的新地盘，还要应对其他动物的威胁。

男子怒气冲冲地将女子摔倒在地，指责她将巧儿推入湖中。此时，女子从昏迷中醒来。随后叶夫人也赶至现场，对女子进行指责并打算将她关进祠堂。眼前的这个男子正是前世害得她身败名裂，死后连葬身之地都没有。然而，老天爷眷顾，女子得以重生，回到了嫁入叶家的第二个月。

影片根据真实新闻事件改编。屠夫奥利格从拉脱维亚来到比利时打工，但处处碰壁的他没有找到工作，却落到了无赖工头安德烈的手上。他发现自己的生活逐步陷入了绝望之中。本片是拉脱维亚导演尤里斯·库赛蒂斯第二部剧情长片，于2019年在戛纳电影节导演双周单元首映。

影片根据真实新闻事件改编。屠夫奥利格从拉脱维亚来到比利时打工，但处处碰壁的他没有找到工作，却落到了无赖工头安德烈的手上。他发现自己的生活逐步陷入了绝望之中。本片是拉脱维亚导演尤里斯·库赛蒂斯第二部剧情长片，于2019年在戛纳电影节导演双周单元首映。

In his efforts to connect with his Chinese heritage, a biracial man discovers challenges and complexities he may not have expected in James Michael Chiang’s remarkably deft blending of drama and comedy.

In his efforts to connect with his Chinese heritage, a biracial man discovers challenges and complexities he may not have expected in James Michael Chiang’s remarkably deft blending of drama and comedy.

Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit. 　　Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. 　　The departure hall is a place of transit. People are between the here and there, between the “not yet” and the “no more”. Schanelec places four couples amid the crowds of waiting passengers; the camera observes them, often from a distance. But their conversations can be heard; the ear is closer than the eye. Intimate islands of dialogue amid hectic activity. The tremendous background noise does them no harm until the music comes and infects the whole room. Cat Power sings “Remember Me”, reinforcing the atmosphere of longing, separation and transitoriness that already lingers in the air. Later, the off-screen monologue of a dying, loving man adds to it. “Love Will Tear Us Apart” – that’s what’s written at the beginning on a record cover. A farewell film.

Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit. 　　Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. 　　The departure hall is a place of transit. People are between the here and there, between the “not yet” and the “no more”. Schanelec places four couples amid the crowds of waiting passengers; the camera observes them, often from a distance. But their conversations can be heard; the ear is closer than the eye. Intimate islands of dialogue amid hectic activity. The tremendous background noise does them no harm until the music comes and infects the whole room. Cat Power sings “Remember Me”, reinforcing the atmosphere of longing, separation and transitoriness that already lingers in the air. Later, the off-screen monologue of a dying, loving man adds to it. “Love Will Tear Us Apart” – that’s what’s written at the beginning on a record cover. A farewell film.