盛暖因一次意外被穿书系统选中，成为小说里的炮灰女配，穿越到各个小世界里去拯救反派，却没想到每个世界里的反派，无论是阴郁的贫困生，还是禁欲的豪门掌权人，竟都与她原世界的未婚夫裴澈长得一模一样。

盛暖因一次意外被穿书系统选中，成为小说里的炮灰女配，穿越到各个小世界里去拯救反派，却没想到每个世界里的反派，无论是阴郁的贫困生，还是禁欲的豪门掌权人，竟都与她原世界的未婚夫裴澈长得一模一样。

结婚三年和老公沒见过面,沒想到第一次见面,竟然是在

统率着作为邪恶化身的魔族，以暴力与权力不断侵略世界的魔王阿里曼。然而，这位魔王不知为何突然停止了所有的侵略行为！魔界最强的魔王停止侵略的理由……竟然是——魔王家的女儿瞳也太温柔了吧！！ 　　虽为魔族之身，瞳的温柔却深不见底。这份温柔之强大，就连凶残的魔族、暴戾的魔物、被奴役的人类，乃至势不两立的天使，都能被治愈得心都化开。女儿这副模样，让魔王担心得不得了，哪还有心思去侵略啊。看到魔王苦恼的模样，近臣贾希决心要将瞳培养成出色的魔族，于是开始对她进行各种试炼。然而贾希尚未察觉，这些试炼反而会让瞳的温柔之心愈发闪耀……而瞳的这份温柔，正在这个毫不温柔的世界里激起阵阵涟漪——

统率着作为邪恶化身的魔族，以暴力与权力不断侵略世界的魔王阿里曼。然而，这位魔王不知为何突然停止了所有的侵略行为！魔界最强的魔王停止侵略的理由……竟然是——魔王家的女儿瞳也太温柔了吧！！ 　　虽为魔族之身，瞳的温柔却深不见底。这份温柔之强大，就连凶残的魔族、暴戾的魔物、被奴役的人类，乃至势不两立的天使，都能被治愈得心都化开。女儿这副模样，让魔王担心得不得了，哪还有心思去侵略啊。看到魔王苦恼的模样，近臣贾希决心要将瞳培养成出色的魔族，于是开始对她进行各种试炼。然而贾希尚未察觉，这些试炼反而会让瞳的温柔之心愈发闪耀……而瞳的这份温柔，正在这个毫不温柔的世界里激起阵阵涟漪——

大婚当日，关静婉被负心人杜泽明凌辱，惨遭灭门，一直深爱她的霍臻霆为救她惨死，她自己也含恨死在同父异母妹妹的刀下。许是上天垂怜，关静婉竟有了重生的机会，这一世她携手霍臻霆，惩治渣男恶女，保护了关家，也收获了幸福。就在关静婉以为自己可以和霍臻霆双宿双飞时，一个关静婉前世完全不了解的人物——流觞出现了，他的出现不仅打破了关静婉宁静的生活，也让霍臻霆的身世变得扑朔迷离。

In mining, a slag heap refers to an artificially raised hill consisting of the cleared waste that accumulates during the extraction of raw materials. Birch trees now grow where workers from near and far once went underground to labour hard for very little money. Nowadays, this is a place where men meet to have anonymous sex and share moments of intimacy. “I think he was gay too,” says one of these men about his father who was a miner. Today, as in the past, those who cannot find shelter elsewhere live here. Home is far away, returning is impossible. Human beings need more than water and a tent.

In mining, a slag heap refers to an artificially raised hill consisting of the cleared waste that accumulates during the extraction of raw materials. Birch trees now grow where workers from near and far once went underground to labour hard for very little money. Nowadays, this is a place where men meet to have anonymous sex and share moments of intimacy. “I think he was gay too,” says one of these men about his father who was a miner. Today, as in the past, those who cannot find shelter elsewhere live here. Home is far away, returning is impossible. Human beings need more than water and a tent.

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.