Julia has just lost her life partner, Barby. Torn between her grief and a world that is crumbling without her, she strives to preserve the restaurant they built together and her bond with their son León. A relationship now threatened by a wilful grandmother and the return of an absent father.

While selling clothes in a street market, Aldana loses her son León, who was playing on the swings in front of her. When she goes to the police station with a friend to file a complaint, the police ignore her story and she decides to go her own way to get her son back. This decision will make her face her past and the reason she run away from home, taking the child with her.

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In a Mediterranean city, the association of volunteers The Rescue is expecting a new director. A former trade unionist, Birgos, who’s just escaped from an asylum with Cleo, another internee, is believed, by mistake, to be this new director.

一天，导演和他的女助手一起在剪辑成人电影时，慢慢唤醒了身体的本能…………

一天，导演和他的女助手一起在剪辑成人电影时，慢慢唤醒了身体的本能…………

我不想像一只鸽子那样，在你们的欧洲生活。

Samuel goes to Nice to pass the exam of the School of Fine Arts. He is accompanied by Nordine, uncultivated in art who takes some holidays.

This is one of the most beautiful and mysterious shorts committed to film. Visuals are more like a moving painting than anything else I've seen. There are certainly elements of films like City of Lost Children in there, but taken to another level. Visually only Casshern comes close to this, for sheer depth of vision. It just shows you what is possible for people to achieve with some imagination. Too many film makers seem to want to use digital effects to create the most realistic looking sets/ extras/ stunts, when they should be concentrating on making it look as interesting as possible.

This is one of the most beautiful and mysterious shorts committed to film. Visuals are more like a moving painting than anything else I've seen. There are certainly elements of films like City of Lost Children in there, but taken to another level. Visually only Casshern comes close to this, for sheer depth of vision. It just shows you what is possible for people to achieve with some imagination. Too many film makers seem to want to use digital effects to create the most realistic looking sets/ extras/ stunts, when they should be concentrating on making it look as interesting as possible.