MIGRATIONS documents the world-altering phenomenon of mass migration. Salgado's images collectively serve as a metaphor for the hundreds of millions of people who, in an elemental struggle for survival, have ruptured their ties with land and tradition in a flight toward other destinies. With his unique vision and empathy, Salgado gives us a clearer picture of the enormous socia...(展开全部)

看萨尔加多的《移民》 #李 元 萨尔加多的新作《移民》分别在巴黎和纽约展出，马上引起许多的争论。法国的一位知名艺术教授谢弗日尔，在巴黎最有影响力的 Le Monde 日报上抱怨：这是“变态的伤感”（在原文里，含义更深。他引用的字是指那些看淫画而得到性满足的变态。换句话说，他认为萨尔加多是利用人性的弱点，有意识地通过这些作品，来满足观众自我发泄伤愁的需要）。 纽约时报的评论家金梅尔曼用“苦难是美？”为题，在什麽是“常规”上大做文章。尽管说萨尔加多曾经在上海说过，他所拍摄的题材是反映世界上超过百分之九十以上的民众，金梅尔曼认为，在一般人的心目里，萨尔加多所拍摄的不是“常规”的生活。一般影展里的观众，在“常规”的情况下，不会像他那样抱怨照片拍得太美了。而萨尔加多也不是“常规”的纪实摄影家。字里行间，金梅尔曼似乎在说，萨尔加多和他的照片已经脱离了“常规”。不...(展开全部)

"Oscar Handlin was the scholar most responsible for establishing the legitimacy of immigration history."--Gary Gerstle, author of American Crucible "This book offers a historical perspective on international migrations dealing with a wide range of issues that are still very relevant. It is a worthwhile read and improves our understanding of the link between migration and the li...(展开全部)

The Uprooted is a rare book, combining powerful feeling and long-time study to give us the shape and the feel of the immigrant experience rather than just the facts. It elucidates the hopes and the yearnings of the immigrants that propelled them out of their native environments to chance the hazards of the New World. It traces the profound imprint they made upon this world and ...(展开全部)