Maraya is a well known satiric multi-season Syrian television series, created by the comedian Yasser al-Azmeh.

An ex-cop and his family are the target of an evil force that is using mirrors as a gateway into their home.

There remains the stories yet to be told after "NEW RELIGION". It begins with Aizawa waking up in a hotel room where he doesn't know.

A schizophrenic sex addict believes she can follow instructions that are being transmitted directly into her spine to find nirvana.

Dylan Hewitt is a young, desperate gambling addict plummeted into financial ruin. That is until a strange, anonymous caller -- who happens to know every intimate detail of Dylan's life -- offers a unique solution to his problems. Lured by the promise of easy money and the beauty of an enigmatic woman, Dylan enters a lurid underworld of counterfeiters and con artists, where he becomes the unwitting pawn in a scheme far more elaborate and ruthless than he could have ever imagined.

A wealthy music executive receives a phone call from a stranger who claims to have evidence that could ruin his career.

A schizophrenic sex addict believes she can follow instructions that are being transmitted directly into her spine to find nirvana.

On a weekend trip to the countryside, Laura miraculously survives a car crash. Physically unhurt but deeply shaken, she is taken in by a local woman who witnessed the accident and now cares for Laura with motherly devotion. When her husband and adult son also give up their initial resistance to Laura's presence, the four of them slowly build up some family-like routine. But soon they can no longer ignore their past...

Tsutomu Minagawa is set to retire; the organized business life, a perfectly normal family living in a two-story house with a garage, the once unstoppable routine is about to close down forever. However, Tsutomu's last day changes him forever, as a car accident leads to his new purpose and sets him on a mission to clean every traffic mirror in Japan in order to save lives.

How do the vicissitudes of contemporary notions of nationhood alter our relationship with cultural patrimony? It’s a question obliquely suggested by Amit Dutta’s latest film. As a camera explores the architecture of a museum, we hear a description of a painting we never see. Eventually, we leave the building behind and examine the remains of a temple, explored to weather and war. Sensual and rigourous, The Game of Shifting Mirrors reaffirms Dutta’s place as India’s most accomplished experimental filmmaker -- Michael Sicinski